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Pink on Love, Grief & Motherhood: "I've Lived a Lot of Life!" | PEOPLE Hotney 6 vistas • 4 años hace

In this exclusive interview with Pink, the singer opens up about her new album 'TRUSTFALL,' how much she's looking forward to going on tour again, and why she'll always consider being a mother the "most incredible thing" she's ever done: "It's shocking how responsible I've become."

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Catch up on the latest celebrity news, top stories and more:
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PEOPLE goes behind-the-scenes with our cover stars for exclusive stories and in-depth interviews:
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PEOPLE goes in-depth with your favorite stars and celebrities to bring you exclusive stories and features:
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Get exclusive access into the biggest celebrity weddings. From the dresses and rings to dances and surprises, PEOPLE covers it all: https://www.youtube.com/watch?v=3m_c4GsTEpY&list=PLzS8B57pacxy5nPUns8f72QQHFJb7LoPe

Watch as your favorite couples reveal the secrets to love and happiness in celebrity love stories:
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Stay up to date with The Royal Family: https://www.youtube.com/watch?v=BAmSICLYVCE&list=PLzS8B57pacxw9TmevTmDbXk1E4DG0Q3x4

Watch kids interview your favorite celebrities with the most adorable questions you'll ever hear:
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Pink on Love, Grief & Motherhood: "I've Lived a Lot of Life!" | PEOPLE
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Young Buck - Interview On New Music G-Unit, Beef With 50 Cent, An Being An Iindependent Artist, Hotney 4 vistas • 4 años hace

Young Buck - Interview On New Music G-Unit, Beef With 50 Cent, An Being An Iindependent Artist,

David Darnell Brown (born March 15, 1981),[1] best known by his stage name Young Buck, is an American rapper. He heads his own record label, Cashville, and was a member of the former hip hop group G-Unit.

Young Buck joined Cash Money in 1997 but left for Juvenile's UTP in 2000.[2] He released two albums with UTP, Born to Be a Thug and The Compilation, before leaving the label in 2003 to join 50 Cent's record label G-Unit.

His first recording with G-Unit Records was on the 2002 recorded song Blood Hound for 50 Cent's February 2003 debut studio album Get Rich or Die Tryin'. That same year, Young Buck became a member of G-Unit. He also appeared heavily on rap group G-Unit's 2003 album Beg for Mercy. He replaced G-Unit member Tony Yayo who had been jailed on gun possession charges after recording only two songs for the album.

His G-Unit Records debut album Straight Outta Cashville was released on August 24, 2004. The album's title alludes to the N.W.A album Straight Outta Compton and is a neologism for Nashville (his hometown). The album produced three singles: "Let Me In", "Shorty Wanna Ride", and "Look at Me Now". The album received little promotion after November. Young Buck was arrested for assault after the VIBE award incident and wasn't able to promote the album for four months until the case was dropped. The album debuted at number three on the Billboard 200 and has since been certified Platinum by the RIAA.[3] His second solo album Buck The World followed in 2007.

He joined the rest of the label's roster on the 2005 collaboration album Get Rich or Die Tryin'.

In April 2008 he was expelled from the rap group G Unit, remaining with G Unit Records as a solo artist.[4] 50 Cent faulted him for making provocative public statements he would later retract in private,[4] for missing recording sessions,[5] and for drug abuse.[5] Young Buck released a "dis" track insulting 50 Cent and G Unit, 50 Cent responded by releasing a taped phone call in which an emotional Buck was heard crying and asking 50 Cent for help and advice, Buck replied with another "dis" track.[5]

In October he wished to leave G Unit Records but still owed the label two albums and his third album The Rehab was still unreleased.[6] In 2009 he said he still owed one album,[7][8] The Rehab was released independently in 2010.

In December 2011 he was still under contract to G-Unit Records and about to lose his assets including his stage name in bankruptcy court, having been unable to record since 2008.[9] He claimed he was close to signing with Cash Money; The Tennessean confirmed a proposed deal that would release him from his G-Unit contract and leave him signed to Cash Money.[9] Cash Money Records CEO Birdman though denied that any deal was in the works.[10]

In August 2012, Buck stated in an interview with XXL he was no longer signed to G-Unit Records and he would be a free agent when he is released from prison.[11]

On June 1, 2014, Young Buck was seen at the Summer Jam Concert with 50 Cent, Lloyd Banks, and Tony Yayo. It was confirmed later that the group had reformed, adding Kidd Kidd as a new member. The group released their debut EP The Beauty of Independence on August 25, 2014. Young Buck is again making new music with G-Unit and released his mixtape Before The Beast which contains seven songs featuring Kidd Kidd, Lil Boosie, Tony Yayo, Lloyd Banks and additional artists. After releasing the mixtape, he released G-unit's second EP The Beast Is G-Unit, which sold approximately 20,000 copies in its first week.

Baroque Music - History of Baroque Music Hotney 7 vistas • 4 años hace

Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.

The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.

During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.

The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term "baroque" was adopted from Heinrich Wölfflin's art-history vocabulary to designate a historical period in music.

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#BaroqueMusic
#BaroqueHistory

Bang Em Smurf on Falling Out with 50 Cent, Getting Deported & More Hotney 4 vistas • 4 años hace

Adam and Almighty talk to Bang Em Smurf about his rise, early days in New York, being in the streets, his relationship with 50 Cent, and more.

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00:00 Intro
0:00 Introduction to Bang 'Em Smurf and Adam asks about his upbringing, moving to New York from Trinidad
3:05 Bang 'Em Smurf on starting to hustle at a very young age
5:15 Bang 'Em Smurf talks about being introduced to sports by a local hustler
6:20 Bang 'Em Smurf on being a sh__ter at the age of 12
7:10 Bang 'Em Smurf talks about the Lost Boyz crew in New York
9:30 Suspect asks Bang 'Em Smurf how his mom felt about him hustling at a young age and run-in with the law
11:04 Bang 'Em Smurf on facing 10 years after his first case at age 13
12:20 Adam asks Bang 'Em Smurf about meeting 50 Cent at age 14, says he was a bully
14:40 Bang 'Em Smurf on how him and 50 Cent grew their relationship after meeting and hustling together and knowing him before working on music
16:20 Bang 'Em Smurf on the time that 50 Cent was starting to make music and being in the "Murder One" video
17:10 Bang 'Em Smurf talks about the time 50 Cent got shot and took on some of his beef
19:20 Adam asks Bang 'Em Smurf what the plan was once 50 Cent got signed
22:00 Suspect asks Bang 'Em Smurf about the reaction when "How To Rob" dropped
23:03 Bang 'Em Smurf on G-Unit starting up and working on mixtapes with Tony Yayo and meeting Lloyd Banks
25:10 Bang 'Em Smurf talks about the mixtape reaching Eminem and co-signing him with Dr. Dre
26:20 Adam asks Bang 'Em Smurf about how the crew fell apart while on tour and fighting the road manager
31:20 Adam talks about rappers who get signed not changing up their life on the streets while 50 Cent left the street life behind once he got famous
34:30 Bang 'Em Smurf reacting to 50 Cent saying "He’s like a God to them"
35:30 Adam asks Bang 'Em Smurf if he ever saw 50 Cent before the Summer Jam Event
37:55 Bang Em Smurf on running up on 50 Cent at Summer Jam and getting water thrown on him
43:45 Adam asks Bang 'Em Smurf about getting deported back to Trinidad for not being a citizen
45:00 Bang 'Em Smurf talks about helping out his community and meeting the stars when they go out to Trinidad
46:45 Adam asks Bang 'Em Smurf about what keeps him motivated while living in Trinidad and if he and 50 Cent will ever be cool again

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