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Paul Kelly - Rita Wrote A Letter (Live at Rod Laver Arena, 2025) Hotney 7 Ansichten • 9 Monate vor

‘Rita Wrote A Letter’ (Live at Rod Laver Arena, September, 2025). Video by Edd Schlaghecke
Audio by Matt Landers

Paul Kelly – Vocal, harmony vocal and acoustic guitar
Jess Hitchcock - Vocal and percussion
Peter Luscombe – Drums and percussion
Bill McDonald – Bass
Dan Kelly – Electric guitar
Ashley Naylor – Slide guitar
Cameron Bruce – Piano, Hammond organ and Mellotron

LYRICS
RITA WROTE A LETTER
I really don’t know how I’m talking
Six feet down and under the clay
The laws of nature forbid it
But I was never good with rules anyway
The day I walked out of prison
I knew that I was still in stir
For the crime committed I was still doing time
Behind the walls between me and her

Rita wrote a letter
I keep it with me every day
Rita wrote a letter
And this is what she had to say
She said, ‘Joe I’m really sorry
But me and Dan, our love is here to stay
With the kids it’s getting better
And now a little baby’s on the way’

Well, they took me back on at the restaurant
But the new cook there had stolen my game
They put me on the dishes and the pots and pans
I was happy being busy again
And every night when I came home
With my back and feet all aching sore
I‘d lay there in Mary’s spare room
Tossing ‘til the break of dawn

Oh, Rita wrote a letter
One you don’t want to get from your wife
When Rita writes a letter
The pen is sharper than the knife
She said, ‘Joe, I gave you good chances
But half a year turned into two
You could never hold your temper
And you always made it all about you'

Oh, the phone calls they started to dwindle
Once they moved further up the coast
Those silences that dragged on forever
I couldn’t find the words I needed the most
One day I went to see an old friend
And I brought a little package home
For old times’ sake sweet oblivion
But some things you shouldn’t do alone

Yeah, Rita wrote a letter
I’m still hugging it under the clay
Rita wrote a letter
Deep down I know it’s better this way
And maybe she and Dan feel guilty
And the children sometimes cry at night
But I made my bed, I’m lying in it
And I know they’re gonna be alright

Oh, Rita wrote a letter
I will always love her
Be the ghost above her
Hover all around her
But Dan, I don’t forgive you
Oh, I didn’t mean to say that
It’s just my mind it plays up
Multiplies each matter

Written by Paul and Dan Kelly (Sony Music Publishing Australia Pty Ltd)

We acknowledge the Wurundjeri Woi-Wurrung people as the traditional custodians of the land on which the video for 'Rita Wrote A Letter' was made.

LE SSERAFIM (르세라핌) 'SPAGHETTI (feat. j-hope of BTS)' OFFICIAL MV Hotney 563 Ansichten • 9 Monate vor

LE SSERAFIM (르세라핌) 'SPAGHETTI (feat. j-hope of BTS)' OFFICIAL MV

💿 https://le-sserafim.lnk.to/SPAGHETTI

Creative Directing : Gabriel Cho
Visual Creative Team Lead : Yoon Cho
Visual Creative Team : Yurok Jang, Hyelin Im
Brand Experience Design : Yoovin Baek, Hyemin Yoo, Myungryol Shin, Seongwon Park, Junghee Hong

A&R : Kyu Kim, Jerry Kim, Ann Park, Yunjae Kim

Performance Director : Soyeon Park
Assistant Director : Yejin Lee, Yunji Park

Creative Strategy: Jong Ha Lee

Film Director : Wontae Go
1st Ad : Hoyeong Lee
2nd Ad : Jeongbin Lee
3rd Ad : Sojeong Hyun

Co-Director : Lee Yongseok
Producer : Moon Dan
Assistant Director : Kim Seungtae, Tae

E.Producer : Rakk Voram Jang
Line PD : Yi Seulgi

DP : Yechan Shin
1st Ac : Woochul Park
2nd Ac : Gwonwoo Shin
3rd Ac : Daehyun Kwon
Dit : Jaewook Kim

Gaffer : Junseok Oh
1st : Jiwoo Hong
2nd : Minwoo Kim, Gyuhwan Hwang
3rd : Jaewon Woo, Myeongjun Ko, Dawoon Jung, Si Young Kim,Heewook Jung,Seokhyun Lim, Juhwan Lim

Art Department : Re.Kindle/ Abr
Art Director : Minkyu Jeon
Art Team Leader : Minwoo Kang, Subin Lee
Art Team : Hantae Kim, Hyunbin Park, Sunghee Ji, Yeonjae Han, Donhyeok Choi, Yunjae Cho, Park Jinhye

Jimmy Jib (Day 1)
Lee Dongjin
Yoo Jeonghyun, Jung Sungeum, Hwang Kyuho

Jimmy Jib (Day 2,3,5)
Ji Seunghyun
Kim Youngsoo, Kim Sejin

Crane
Head Oper : Sangjo Lee
Crane Oper : Jisoo Woo
Head Tech : Hakser Kim
Assistant : Junhwan An, Woojin Im

Showlight : J Show Company
Jeon Sung Gang
Jang Woo Seok, Jang Sun Ho, Park Sang Min

Sfx Team : Dragon
Representative : Park Choul Young
Head Of Department : Oh Won Jun, Park Jae Sung, Seol Chong Young
Team Leader : Lee Junhak

Led Screen Team
Ji Hyunho, Kim Taejung, Jo Myungjin, Kim Sehyun

Led Construction Team
Ko Byungwook, Set Sangyong, Kim Myuncheol, Oh Hyungjun

Location : Itplace
Choi Eun Joo, Park Sung Bin

Production Team Leader : Saewon Yu, Jubong Park
Production Team : Junghwan Park, Yisoo Kim, Taegyun Kim, Hayoung Kim, Hyewon Kim, Junho Ji, Hyunki Yi,
Bareum Lee, Jaehyeon Wang

Offline Editor : Go Wontae
Online Editor : Lee Yongseok
Color : CAPRA

VFX Supervisor - James Choe @jameschoe
Junior VFX Artist - Elena Liu @elenaxyliu
VFX Assistant - Seoyoon Lee @seoyoonllee

2D VFX artist : Hyunnah Cha - @chapps__

VFX artist - Infinite VFX
FX/Comp Lead : @infinite__vfx
Comp Assist : @paresh.mov @mandarindeed
Roto: @mousamvfx @poccopiee @polleysubrata7
@fraser013 @yizhichenyizhi

VFX Artist - Jedd Lingo @jeddlingo

VFX - Studio Decolsa @studio.decolsa
Baurzhan Sabyrzhanov @baurzans_
Maksym Kryvoruchyk @celestrixia

King Gun @junking.gun
3D Fashion Modeller @jae2oon

Roto assistant Muhammad Tehseen Irshad @monivisualpro

Clean / Remove / Roto : Comma, HBVFX
Clean / Remove : CHOI AYoung, Shin Yejin(SSSS), Jun Seungwon(a clean sweep)

Drag Queen : NANA YOUNGRONG KIM @nana_youngrongkim
KYAM @kimkyam
RINGRING @ringring.kim

SOURCE MUSIC. Rights are reserved selectively in the video. Unauthorized reproduction is a violation of applicable laws. Manufactured by SOURCE MUSIC, Seoul, Korea.

Connect with LE SSERAFIM:
OFFICIAL INSTAGRAM https://www.instagram.com/le_sserafim/
OFFICIAL X (TWITTER) https://x.com/le_sserafim
OFFICIAL JAPAN X (TWITTER) https://x.com/le_sserafim_jp
OFFICIAL FACEBOOK https://www.facebook.com/official.lesserafim/
OFFICIAL WEVERSE https://weverse.onelink.me/qt3S/t2ra8uwj
OFFICIAL TIKTOK https://www.tiktok.com/@le_sserafim
OFFICIAL WEIBO https://weibo.com/LESSERAFIM
OFFICIAL BILIBILI https://space.bilibili.com/627577002
OFFICIAL DOUYIN https://v.douyin.com/iJgLJpUp/
OFFICIAL SOUNDCLOUD https://soundcloud.com/le_sserafim_official

#LE_SSERAFIM #르세라핌
#BTS #방탄소년단 #jhope #제이홉
#EAT_IT_UP_SPAGHETTI

Aerosmith, YUNGBLUD - My Only Angel (Desert Road Version) ft. Steve Martin Hotney 13 Ansichten • 9 Monate vor

‘One More Time' - a new EP by Aerosmith and YUNGBLUD, releasing November 21st.
Pre-order now: https://onemoretime.lnk.to/theEPID

Listen to ""My Only Angel (Desert Road Version)”: https://ONEMORETIME.lnk.to/MOADesertRoadVersionID

Listen to Aerosmith: https://Aerosmith.lnk.to/listenYD
Follow Aerosmith:
Facebook: https://Aerosmith.lnk.to/followFI
Instagram: https://Aerosmith.lnk.to/followII
Twitter: https://Aerosmith.lnk.to/followTI
Website: https://Aerosmith.lnk.to/followWI
Spotify: https://Aerosmith.lnk.to/followSI
YouTube: https://Aerosmith.lnk.to/subscribeYD

YUNGBLUD's fourth studio album 'Idols' is out now: http://yungblud.lnk.to/idolsID
Shop now: https://yungblud.lnk.to/officialshopID
Sign up to YUNGBLUD’s mailing list: https://YUNGBLUD.lnk.to/YBsignup
Subscribe to YUNGBLUD's channel: https://YUNGBLUD.lnk.to/Subscribe
Website: https://YUNGBLUD.lnk.to/website
Instagram: https://YUNGBLUD.lnk.to/instagram
Facebook: https://YUNGBLUD.lnk.to/facebook
TikTok: https://YUNGBLUD.lnk.to/tiktok
Discord: https://YUNGBLUD.lnk.to/discord

Lyrics:

Would you cry
If I called you, my angel?
Gotta leave, gotta leave, gotta leave you
One more time

My pretty little poison
I’ll taste you in the morning
And drink you in the evening
Then we’ll go out stealin’
I won’t rest till I find you
I won’t rest till I light you
One last time

Take it when you want it
Never when you need it
Said you want a show girl
Call you from the road girl
Need a bit of lovin’
Tell me all your problems
One last time

Would you cry
If I called you, my angel?
Gotta leave, gotta leave, gotta leave you
One more time

Could you fly?
My only angel
Gotta leave, gotta leave, gotta leave
Far behind

You say you wanna keep me
Round your little finger
But baby I’m a runner
Baby I’m a gunner
I don’t know where you’ll find me
But I hope that you’ll find me one last time

Along a desert road
I tried to let you go
I had to face the facts
That I should let you know
That after all this time
The show will still go on
But I need a little something
To remember you by

Would you cry
If I called you, my angel?
Gotta leave, gotta leave, gotta leave
One last time

Could you fly?
My only angel
Gotta leave, gotta leave, gotta leave you
Far behind

#YUNGBLUD #Aerosmith #MyOnlyAngel #OneMoreTime #DesertRoadVersion

Music video by Aerosmith, YUNGBLUD performing My Only Angel (Desert Road Version).© 2025 Queen of Denial, Inc.

BAD OMENS - Dying To Love (Official Music Video) Hotney 5 Ansichten • 9 Monate vor

BAD OMENS // DYING TO LOVE // OUT NOW

Buy / Stream ‘Dying To Love’: https://sumerian.lnk.to/dyingtolove

Song Credits
Writer: Noah Sebastian
Writer: Joakim Karlsson
Writer: Michael Taylor
Producer: Noah Sebastian
Producer: Joakim Karlsson
Producer: Michael Taylor
Engineering: Matt Dierkes
Drum Engineering: Alex Prieto
Drum Engineering: Matt Dierkes
Drums Recorded at Blackbird Studio Nashville
Assistant Drum Engineer: Austin Brown
Blackbird Drum Rentals: Paulie Simons
Mixed & Mastered by Zakk Cervini at MDDN Studios, Los Angeles
Mix Assistant / Engineer: Julian Gargiulo

MV Credits
Production: Pulse Films
Dir: Nico & Noah
Written by: Noah Sebastian
Written by: Madeline Leary
Executive Producer: Casey Engelhardt
Head of Production: Adam Litt
Producer: David French
Executive Producer: Rok Bukovec
Line Producer: Viktor Mara
Lead Actor: Miha Jakovljevic
Director of Photography: Alex Rapariz “Persona”
Director of Photography: Mario Lerma “Persona”
Steadicam: Leon Moralic
1st AC: Igor Vincetic
1st AC B Cam: Ksavar Sinkar
2nd AC: Luka Podobnikar
VTR: Jernej Valencic
VTR Assistant: Ana Fister
DIT: Urban Vucer

Post Production: The Machine Shop

Post Producer: Abi Perl
Post Supervisor: Eric Zapakin
Editor: Nyk Allen
Conform Editor: Tess Calder
Assistant Editor: Daniel Henry
VFX: Silverlake Studios
Colorist: Paul Yacano
1st AD: David Podgornik
2nd AD: Nina Butkovic
Extras Coordinator: Zuza Pizent
Production Manager: Jan Milic
Production Coordinator: David Champaigne
Production Assistant: Klemen Skubic
Production Assistant: Tim Kern
Production Assistant: Matej Mavri
BTS: Varja Jovanovic
BTS: Saso Stth
Location Manager: Matic Kosorok
Location Manager Assistant: Misel Curcic
Location Manager Assistant: Ales Zmavc
Art Department Supervisor: Miha Knific
Art Director: Lara Stefancic
Art Director: Dora Sabec
Art Director: Lovro Znidar
Art Director: Gregor Bostjancic
Art Director: Jan Arhar Milenkovic
Art Director: Srecko Mandic
Props on Set: Andrej Grizon
Make-Up Designer: Ana Lazovski
Make-Up Assistant: Kristina Mandic
Stylist: Valter Kobal
Stylist Assistant: Kajetan Koal
Stylist Assistant: Sara Brundula
Gaffer: Klemen Smolar
BB Electric: Bor Kiswarday
Electric: Primoz Skubic
Electric: Darjan Vidmar
Electric: Miha Belcijan
Electric: Frank Vidmar

Electric: Jurji Volgemut
Electric: Martin Truden
Electric: Marjan Nikolovick
Electric: Oskar Dolak
Key Grip: Dobrica Ugljesic
BB Grip: Martej Nikolavcic
Grip: Gregor Bergman
Head of SFX: Joze Zalar
Sound Recordist: Vincent Laurence
Sound Assistant: Maxim Laurence
Medic: Tomaz Pirih
Stunt Coordinator: Filip Krziscnik
Production Driver: Jaka Petkovsek
Band Driver: Nik Hasangic
Division Driver: Jon Arbi
Glam and Talent Driver: Aljaz Cafuta
Catering: Dejan Pupcevic
Craft Service: Jeftish Miftari
Craft Service: Dejan Lekse

--
DYING TO LOVE // LYRICS

Driving home with nowhere to be
Passing ghosts that tire of sleep
Blurry faces staring at me
They’re staring but they don’t see a thing

I’ve been dying to love, dying to love, dying to love
One more second’s enough, second to love, second to love

Stepping stones that bloody your feet
Sirens holding flowers of teeth
They call your name from ivory streets
But heaven isn’t quite what it seems

I’ve been dying to love, dying to love, dying to love
One more second’s enough, second to love, second to love

They circle over the stain, my essence slipping away
Waiting their turn for a taste

So tell me how does it taste?
And was it all worth the wait? So was it worth what it takes?

FOLLOW BAD OMENS:
http://tiktok.com/@badomensofficial
https://www.instagram.com/badomensofficial
https://twitter.com/badomenscult
https://www.facebook.com/badomensofficial

FOLLOW SUMERIAN RECORDS:
http://tiktok.com/@SumerianRecords
http://instagram.com/sumerianrecords
http://facebook.com/SumerianRecords
http://twitter.com/SumerianRecords
http://sumerianrecords.com

#dyingtolove #badomens #sumerianrecords

Parcels: Tiny Desk Concert Hotney 3 Ansichten • 9 Monate vor

Isabella Gomez Sarmiento | October 22, 2025
Parcels does not shy away from abundance. The Australian quintet's songs often feature a myriad of guitars, rivaling piano and synths, slinky basslines, pulsing drums and four (yes, four) vocalists. But the group opens its Tiny Desk concert with a secret weapon: hauntingly bare harmonies, backed only by gentle keys and guitar, that transform a snippet of the irresistibly catchy "Leaveyourlove" into a solemn oath of devotion.

It's a stunningly stripped-down choice for a band that can — and does — properly rock out, with explosive live performances that turn its glossy, electro-pop studio albums into transcendental dance parties, collective rituals of movement and joy in which the crowd becomes a key sixth band member. But it's also a return to the band's roots. Parcels started out as a group of high school friends, jamming together in the idyllic seaside town of Byron Bay. After graduation, they relocated to Berlin, where their early days were spent busking on the streets, performing bluegrass covers of pop songs.

At the Tiny Desk, evenly spaced out and in a ceaseless, mischievous musical dialogue with one another, Parcels' egalitarian ethos is front and center: There is no lead singer, there is no frontman. As an instrument-wielding boy band, the group converses with a fluidity that taps into the psychedelic playground of the Grateful Dead and dances into the hypnotic electronica of Giorgio Moroder. Sunlit melodies melt into one another; a cascade of soulful voices guides listeners from the early days of Parcels' discography to the magnetic bliss of the band's newly released album, LOVED. Both the record and the performance emanate the magic of spending a decade making art with your best pals.

SET LIST
"Leaveyourlove"
"Tieduprightnow"
"Ifyoucall"
"Yougotmefeeling"
"Gamesofluck"
"Finallyover"

MUSICIANS
Jules Crommelin: vocals, guitar
Louie Swain: vocals, keys
Anatole Serret: drums
Patrick Hetherington: vocals, keys, percussion
Noah Hill: vocals, bass

TINY DESK TEAM
Producer: Isabella Gomez Sarmiento
Director: Kara Frame
Audio Technical Director: Josh Newell
Host/Series Producer: Bobby Carter
Video Editor: Joshua Bryant
Videographers: Kara Frame, Joshua Bryant, Maia Stern
Audio Engineer: Josephine Nyounai
Production Assistants: Dora Levite, Ashley Pointer
Photographer: Alanté Serene
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

#nprmusic #tinydesk #parcels

Support for NPR Music comes from Moises. Powerful AI tools created by musicians, for musicians. Learn more at Moises.AI

The Beaches: Tiny Desk Concert Hotney 3 Ansichten • 9 Monate vor

Stephen Thompson | October 27, 2025
Here’s a crucial reminder from The Beaches: It’s always summer somewhere.

The Toronto band released one of 2025’s most effervescent albums, No Hard Feelings, in late August. Its new-wave-inflected pop-rock jams — about bad love, **** love, bad **** love and a life built around the steadfast refusal to let a good party end — would have made a perfect soundtrack for the defiant joy of Pride Month back in June. But, with darkness falling earlier and earlier, they seemed to know something we didn’t: that the world needs these songs now more than ever.

Within NPR Music, there’s been a movement afoot to bring The Beaches to the Tiny Desk ever since 2023’s “Blame Brett” became one of that year’s most irresistible, quotable songs. So it felt appropriate that the group opened with it two years later, in a five-song set drawn from 2023’s Blame My Ex and No Hard Feelings. The newest songs really showcase The Beaches’ sonic range, as well as the powerhouse vocals of Jordan Miller — particularly in the slow-burn lighter-waver “Lesbian of the Year.” (The song was inspired by the coming-out journey of Beaches multi-instrumentalist Leandra Earl, who left behind a gold-star trophy for our shelves.)

No Hard Feelings also sports some of the spikiest, catchiest anthems of 2025, and two of them are showcased to magical effect here: the brooding banger “Can I Call You in the Morning?” and “Last Girls at the Party,” which seems destined to close Beaches concerts for as long as the group exists. The song may be an ode to sticking around too long, but as this set shows, this band never wears out its welcome.

SET LIST
“Blame Brett”
“Can I Call You in the Morning?”
“Lesbian of the Year”
“Edge of the Earth”
“Last Girls at the Party”

MUSICIANS
Jordan Miller: vocals, bass
Kylie Miller: guitar, background vocals
Leandra Earl: guitar, piano, melodica, background vocals
Eliza Enman McDaniel: drums

TINY DESK TEAM
Producers: Elle Mannion, Stephen Thompson
Director: Joshua Bryant
Audio Technical Director: Josh Newell
Host/Series Producer: Bobby Carter
Videographers: Joshua Bryant, Kara Frame, Alanté Serene
Video Editor: Kara Frame
Audio Engineer: Jay Czys
Production Assistant: Dhanika Pineda
Photographer: Sofia Seidel
Tiny Desk Team: Maia Stern, Ashley Pointer
Series Editor: Lars Gotrich
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta
Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

#tinykdesk #nprmusic #thebeaches

Support for NPR Music comes from Moises, an AI platform for musicians of all levels to learn, create, and collaborate. Learn more at Moises.AI

Warren G Performs Legendary Hits, Cooks BBQ, Talks Dr. Dre, Snoop Dogg, Tupac, Eminem, & NWA Hotney 142 Ansichten • 9 Monate vor

Visit https://prizepicks.onelink.me/LME0/SHANNON and use code SHANNON and get $50 in lineups when you play your first $5 lineup!

Shannon Sharpe sits down with the legendary Warren G, the West Coast icon who helped define the sound of 90’s hip hop and saved Def Jam from $20 million in debt with his timeless hit “Regulate.” In this unfiltered conversation, Warren opens up about his journey from Compton to global fame, the brotherhood behind the G-Funk era, and the lessons learned along the way.

With a live band behind him, Warren performs his classics “This DJ,” “I Want It All,” “Do You See,” and “Regulate,” breaking down the stories and inspirations behind each record. He recalls how Snoop Dogg originally sang the hook on “This DJ” before clearance issues led him to creatively blend Snoop’s vocals into the final track. Warren credits his love of jazz—passed down from his father—for shaping his ear for music, which later influenced his smooth, soulful approach to hip hop.

He reflects on his early years in Long Beach and Compton, forming tight bonds with Dr. Dre, Tyree, and Snoop Dogg, and how DJing, producing, and rapping became his passions. Warren shares how his breakout moment came when director John Singleton chose his record for the Poetic Justice soundtrack, leading to his signing with Def Jam. His discovery of a Michael McDonald sample inspired the creation of “Regulate,” a record that not only became his biggest hit but also financially revived Def Jam.

Warren opens up about the highs and lows of fame—buying a $120K Mercedes after tour money rolled in, later realizing he should’ve invested in property. He also recounts the business struggles that taught him to take control of his finances and undo his power of attorney. His resilience was fueled by family, especially an uncle who helped him regain stability.

Throughout the episode, Warren reflects on missed opportunities with Death Row Records, being separated from his friends over industry politics, and how he learned to build success independently. He discusses his relationship with Dre and Snoop, seeing Dre rise with N.W.A, and the bittersweet pride of watching a brother become a billionaire.

Warren remembers the loyalty of Tupac, who gave him opportunities beyond Death Row, and reveals emotional memories of Pac’s passing. He shares stories about Michael Jackson—who personally told him he loved his music—and why he once turned down meeting Prince. Warren also recalls performing at Khloe Kardashian’s birthday and producing hidden gems for artists like Young Jeezy, MC Breed, and New Edition.

He names Eminem in his top 15 and praises Kendrick Lamar as the king of his generation, carrying the torch for the West Coast. Beyond music, Warren opens up about his long marriage, fatherhood, and finding peace in his passion for barbecue. Now a pitmaster and business owner, he shares how cooking gives him balance, how he built his own BBQ line, and his plans to open restaurants.

Warren closes by talking about his new music collaborations with Wiz Khalifa, Lil Wayne, and unreleased Nate Dogg tracks, as well as his venture as a part-owner of a Minor League Baseball team in Long Beach—a way to give back to his community. From humble beginnings to legendary status, Warren G’s story is one of perseverance, creativity, and authenticity.

#ClubShayShay #WarrenG #snoopdogg

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SUBSCRIBE to get the latest Club Shay Shay content: https://www.youtube.com/c/Club....ShayShay?sub_confirm
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About Club Shay Shay:
Club Shay Shay is a weekly podcast hosted by Shannon Sharpe – 3x Super Bowl champion, member of the Pro Football Hall of Fame and co-host of First Take on ESPN. Each week Shannon will sit down with athletes, celebrities and influencers to break down, analyze and discuss the latest headlines in sports, pop culture and everything in-between. Get on the VIP list at Club Shay Shay NOW and never miss an episode!

Warren G I Ep. 186
https://youtu.be/ntoz94Rz85g

Club Shay Shay
https://www.youtube.com/c/ClubShayShay

Tee Grizzley - Voicemail (feat. Rod Wave) [Official Video] Hotney 5 Ansichten • 9 Monate vor

The official video for Tee Grizzley's "Voicemail" featuring @RodWaveOfficial, out now!
Shot by @JerryPHD 🎥

Stream "Voicemail": https://teegrizzley.lnk.to/voicemail

Subscribe to Tee Grizzley's Channel: http://flyt.it/SubscribeTee

Follow Tee:
https://www.tiktok.com/@tee_grizzley
https://www.instagram.com/teegrizzley/
https://twitter.com/teegrizzley
https://www.facebook.com/teegrizzley1/
https://open.spotify.com/artis....t/6AUl0ykLLpvTktob97
https://music.apple.com/us/art....ist/tee-grizzley/117

#TeeGrizzley #GrizzleyGang #RodWave #Voicemail

℗ 2025 Grizzley Gang Music under exclusive distribution by 300 Entertainment

LYRICS

[Intro: Rod Wave]
Mm, yeah, yeah
I was tellin' that bitch, Tee Grizzley, bitch, you gotta come to my world
You know what I'm sayin'? This that real shit
Mm, the city, woah, woah, woah
Yeah, yeah
Look, look, uh

[Verse 1: Rod Wave]
Crazy feelin' in my heart, too much on my brain
I be poppin' Perkies back to back, now I can't feel a thing
No matter what I'm feelin', I'm gon' keep it to myself
I be dreamin' 'bout unc, been seein' death since you left and
Court dates and funerals
Mama, this your baby, never stop prayin'
Soon as I go to sleep, my phone start ringin'
Soon as I find some peace, here come the blog pages
On the phone with my mama, ma, I was 'sleep when you called
I clicked over for smacker, no, I pressed one for my dog
Talked to my daughter on FaceTime, it's healin' my heart
Sometimes it get to killin' me, hope this ain't how she 'member me
Bae, I'm thug to the bone, I ain't lookin' for sympathy
I been thuggin' so long, in the street, in the industry
You know you can hit my phone if you need me
But who can I call with my back against the wall? (Ayy, ayy)

[Chorus: Rod Wave & Tee Grizzley]
My daughter askin', "Where you at? When you comin' back?"
My girl askin' me, "What's wrong? You need to relax"
So many people on my phone talkin' this and that, uh
Now, what's wrong? Leave me alone
Can't get no sleep, bitches abusin' my number
Either the tattlers got questions or bitches askin' for money
A thousand problems every time my phone ring
I let it ring, I don't know what to say (Yeah, yeah)
Uh, I don't know what to say (Yeah, yeah)
I don't know what to say (I don't even know what the fuck you sayin')
(Know what to say) Yeah, yeah (What to say)

[Post-Chorus: Tee Grizzley]
That shit ain't gon' mean nothin'
Ain't nothin' enough, it feel like
Nothin' you say even matter type shit, they can't even hear that shit, ah
[Verse 2: Tee Grizzley & Rod Wave]
I get to a check and bounce (Fuck on), niggas out here checkin' out (Niggas
out here dyin')
I was out here homeless walkin', now my wrist a car, neck a house (No cap)
Slave master how I whip the 'Bach, walk around with a million cash
I ain't posted, though, I was low with it, everything ain't for the internet (You
know?)
Miss my pops, God, please, can You just think about givin' him back?
Brodie, once that money gone, it's gone, you better remember to stack
Plugged the power to the neighbor house, we was late on bills, I remember
that
You don't get shit just for bein' real, you supposed to be, they be forgettin' that
(Fuck)
Hit the club, I ain't buy no bottles, but I hit the hood and got granny crib
remodeled (I did)
G-lock full of hollows 'cause lettin' 'em get me too big of a pill to swallow (Can't
let 'em)
Wanted to box, looked up and cases was all I had to fight (Damn)
Wanted to go to the league, I ain't make it, but I still turned out alright (I'm
cool)
Fought in school and had to fight in jail, maybe I'm the problem (Maybe it's
me)
Niggas got money in my face and left me broke, I should've robbed 'em
(Should've got they ass)
Seen my nigga was 'bout to crash out, feel like I could've stopped him (Damn)
It ain't 'bout gettin' to the top (What it's 'bout?), it's 'bout gettin' from off of the
bottom, nigga (Ayy, ayy)

[Chorus: Rod Wave & Tee Grizzley]
My daughter askin', "Where you at? When you comin' back?"
My girl askin' me, "What's wrong? You need to relax" (Yeah)
So many people on my phone, talkin' this and that, uh (What?)
Now, what's wrong? Leave me alone (Fuck on)
Can't get no sleep, bitches abusin' my number
Either the tattlers got questions or bitches askin' for money
A thousand problems every time my phone ring
I let it ring (Let me call you right back), I don't know what to say (I don't even
know what motherfuckers be wantin' to feel like, yeah, yeah)
Uh, I don't know what to say (What the fuck to say to these people, gang, like,
yeah, yeah)
I don't know what to say
(Know what to say) Yeah, yeah (What to say)
[Outro: Tee Grizzley]
Just let me go a couple days just without hearin' from nobody
You feel me? You know I'll call everybody in a couple days, man
This shit too much right now

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