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Dire Straits: The Controversy Over the Song 'Money For Nothing' Hotney 4 Просмотры • 3 лет тому назад

Dire Straits: The Controversy over the band's big hit 'Money For Nothing.'

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#mtv #moneyfornothing #direstraits #cbc

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Released as part of Dire Straits fifth album, Brothers in Arms, the single Money for Nothing would prove to be the British band’s biggest song of their career, but it also garnered an enormous amount of controversy. One country went as far as to ban the song from public airwaves resulting in a backlash from some radio stations Let’s explore what happened in today’s video.
The single money for nothing was a massive hit for Dire Straits topping the top 40 charts in several countries including America. .In addition to that it won an MTV VMA for video of the year in 1986 in addition to receiving 11 nominations and took home a grammy award for best rock performance by a duo or group.
Dire Straits vocalist and guitarist Mark Knopfler would cite ZZ Top as one of the main influences on the song as the band was a huge staple on MTV during the mid 80’s. The song’s origin came to Knopfler during a visit he made to a department store in New York City. An employee dressed in work boots, a baseball cap and checkered shirt walked up to Knopfler as he watched MTV and said the following , "what are those, Hawaiian noises?...that ain't workin'," etc. The exchange gave Knopfler an idea for a song and he soon started started writing lyrics using pieces of the actual conversation he had with the stranger. The song would be written from the perspective of the store employee he met that day. Sting would also sing background vocals on the song and be credited as a co-writer on the song with Knopfler. Mötley Crüe bassist Nikki Sixx would claim years later that the song was about his band's lifestyle and that it was a motley crue video playing in the department store the day Knopfler became inspired to write the song.
While the song was a massive hit for the band it also drew controversy for being labelled ****phobic for it’s use of the f word in the lyrics. Knopfler would tell Bill Flanagan in 1984 I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real…
Rolling stone Magazine brought up the controversy in 1985 with, Knopflerrevealing “I got an objection from the editor of a **** newspaper in London – he actually said it was below the belt. Apart from the fact that there are stupid **** people as well as stupid other people, it suggests that maybe you can’t let it have so many meanings – you have to be direct. In fact, I’m still in two minds as to whether it’s a good idea to write songs that aren’t in the first person, to take on other characters. The singer in “Money for Nothing” is a real ignoramus, hard hat mentality – somebody who sees everything in financial terms. I mean, this guy has a grudging respect for rock stars. He sees it in terms of, well, that’s not working and yet the guy’s rich: that’s a good scam. He isn’t sneering.”
While the video was a massive success on MTV winning video of the year in 1986 at the VMA’s. Mark Knopfler wasn’t a fan of doing videos and al ot of the bands videos up until this point in time saw the band playing the song live. in the book i want my MTV director Steve Barron was asked by the band’s record label to convince Knopfler to shoot a different type of video. recalled meeting the band on tour in Europe in an effort to convince the band to do a new type of video saying “i really wanted to use a new computer technology called Paintbox, which was used to do colorization in commercials and to create logos for corporations” Barron would take Knopfller and his girlfriend to dinner and broach the subject and as Knopfler telling him how MTV needs to be shook up and while Knopfler was about to say no his girlfriend interjected and said “wow you’re so right about that, that’s exactly what mtv needs.”
In January of 2011 it was announced by the Canadian broadcast standards council that Money for Nothing was too offensive to be played on the canadian airwaves singling out the line “that little f word” in the second verse. The Canadian broadcast standards intervened after a resident
Sources

https://www.rollingstone.com/m....usic/music-news/dire

https://www.rollingstone.com/m....usic/music-news/cana

https://societyofrock.com/the-....story-behind-money-f

Silverchair: The Rise & Fall Of The Band Behind Frogstomp & Songs Tomorrow, Ana's Song, Hotney 4 Просмотры • 3 лет тому назад

Silverchair: the rise and fall of the band behind 1995 album Frogstomp and the hit single 'Tomorrow.'

0:00 - Early Days
3:10 - 'Tomorrow' Single
4:00 - Silverchair Blows Up
7:04 - Freakshow Era
8:15 - Daniel John's Struggles
11:00 - Final Years/Breakup

israel's son video

https://www.youtube.com/watch?v=FJC1o-eKNKc&t=1s

Local H Video

https://www.youtube.com/watch?v=Cr5q2NNHjEY

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#silverchair #frogstomps #tomorrow

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Silverchair was one of biggest bands to come out of Australia. The rock trio would make a mark a few years after grunge had taken over.. In fact, they had their big break not even a year after Kurt Cobain died. This put Silverchair in the unique category of post-Nirvana alt-rock acts that included the likes of Foo Fighters, Puddle of Mudd, Bush, and Local H. By the way guys I’ve done a whole video on whatever happened to Local H, link is down below.

Silverchair would also end Australia’s musical draught by being the first band to have a debut album chart in the top 10 in America since 1982’s Men At Work’s record and the first Australian band in 5 years to have an album chart in the top 10. The last band before them was INXS.

Vocalist and guitarist Daniel Johns grew up in a musical home with his parents frequently blasting Black Sabbath and Deep Purple records. Johns and his schoolmate, a drummer nme Ben Gillies (GILL EEES) started jamming together as teenagers in 1992 in Newcastle, Australia,a blue collar working town north of Sydney, The pair wanted to get serious about music and enlisted bassist Chris Joannou (Joe-Knew) and called themselves Innocent Criminals. They soon started jamming on Pearl Jam songs before writing their own.

By the spring of 1994, a neighbour of Johns told the young musician about a demo tape contest called Pick Me that was being broadcast on the TV show NOMAD and being sponsored by local radio station Triple J FM. John’s was a little skeptical telling Rolling Stone “We’d been in competitions before and didn’t do shit. But we sent in our tape.”

Silverchair would be one of more than 800 entires into the contest and thought their tape would be lost in the shuffle. Their tape they submitted was credited to their old monicker Innocent Criminals. One of the show’s judges heard the almost 7 minute long demo of Tomorrow and was blown away It was no surprise the band’s demo stood out considering how awful some of the submissions were. one band did a song about tuna fish while another artist submitted a song that heavily sampled movies include the fugitive and star trek. That judge who discovered Silverchair would be a video director named Robert Hambling who told rolling Stone in 1996
“It stood out even stronger because I’d just listened to about 80 or 100 demos back-to-back,” From my point of view, in a competition to find new talent, you couldn’t find a more perfect example than three young lads in their bedrooms in Newcastle with a song that, I believed, could be a No. 1 megaworldwide smash hit.”

The other judges concurred and awarded Silverchair the show’s grandprize, which included a full day recording session to spruce up Tomorrow, a video shoot for the single at an old prison. By June of 1994 the video for Tomorrow aired on the TV Show Nomad and Triple JJJ FM added it to their rotation .

Within a week of the band getting radio airplay record labels were chomping at the ability to sign the band. John’s mother who managed the group at the time was being contacted by Australian labels including Murmur who was owned by Sony. The reps for Murmur went to a local gig the band played at in Newcastle. What’s funny is that the reps went to a local newcastle pub called the Jewels Taverns but because hte boys were underage they weren’t allowed to play there, so they had to play in the restaurant next door to the bar.The band signed withMurmur records who released Tomorrow as a single under their new band name Silverchair. The name originated from combining the Nirvana song Sliver, which one of the members thought was spelled silver and the track Berlin Chair by You Am I. A month after it’s release Tomorrow topped the charts in Australia selling 175,000 copies. It was estimated that approximately 1 percent of australia’s population purchased the single.

Damn Yankees: The Rise and Fall of The Supergroup - Tommy Show, Jack Blades, Ted Nugent Hotney 4 Просмотры • 3 лет тому назад

Damn Yankees: Whatever Happened to the Supergroup to Feature Jack Blades, Tommy Shaw and Ted Nugent?

0:00 - Intro/Formation
3:41 - First Album/Record Deal
6:00 - Band Falls Apart

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#damnyankees #tednugent #tommyshow #jackblades

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

The late 80’s were a difficult time for some high profile rock musicians who enjoyed success a decade or several years prior. Rock N’ Roll bad boy Ted Nugent’s career seemed pretty quiet during this time and some people even counted him out. But he wasn’t the only one struggling at the timer as former Styx frontman Tommy Shaw was charting embarking on a solo career having released 3 albums, While Night Ranger’s bassist Jack Blades was reeling with the breakup of his band. It would seem strange that three musicians having lulls in their careers would become an attractive prospect to one of the biggest A&R men in the music industry, but it happened Damn Yankees would be born. Today, let’s explore the history of Damn Yankees.

Geffen Records A&R man John Kalodner seemed like an expert in reviving struggling musicians careers/. He helped Aerosmith and Whitesnake reinvent themselves and he had the same plan for Tommy Shaw, Jack Blades and Ted Nugent.. He would tell Ultimate Classic Rock "I just had this idea – I think I had dinner with Jack Blades or maybe Tommy Shaw and for some reason, I got in this mindset,""I knew Ted Nugent well and he wasn’t really doing anything. Night Ranger wasn’t really doing anything, and Tommy Shaw was kind of in and out with Styx. So I came up with this crazy idea to have the three of them have a supergroup."

Ted Nugent would establish himself in the 1970’s as one of the bad boys of rock n’ roll, but like many musicians who were popular in the 70’s, a decade later musical tastes had changed and newer sounds and bands had taken over.. Tommy Shaw meanwhile would front the pop-rock/ adult oriented group Styx where he would clash with Dennis DeYoung over the band’s sound. Jack Blades meanwhile cut his teeth singing, playing bass and writing songs for Night Ranger, but the record label according to him destroyed the band telling the LA Times in 1991 “Sister Christian,” Night Ranger’s big 1984 hit, was a ballad, and from that point on, Blades recalled, “Our record company only allowed us to release more ballads, and that really destroyed a good rock ‘n’ roll band.”
The origins of Damn yankees dated back to 1988 when to Shaw and Nugent were sitting together at a music show show business dinner in florida. Following the meal Shaw told Nugent according to the Chicago Tribune “When it was over we were saying why don’t we get together after we finish promoting our records.” It would be Shaw and his manager who called up Kalodner’s office asking for Nugent’s number. Kalodner would claim that Nugent thought the idea was initially stupid, but after much convincinghe gave it a try.

The early days of 1988 initially saw Shaw and Nugent jamming together on acoustic guitars and coming up with the song “Come Again” which ended up on the group’s debut album.At the time the band had a stand in player on bass and while Nugent and Shaw felt chemistry, Kalodner felt like the band was missing something. That’s when he enlisted Jack Blades of Night Ranger fame. Blades would tell the LA Times in the same 1991 interview “After we finished doing our last album, we basically broke up because they picked up their option to do another album and we refused, because they would have stuffed us into the garbage can again,” “Three days later, a friend of mine told me Ted and Tommy were rehearsing over in New York City and he said, ‘Hey, why don’t you go and see what it’s like?’

“So I flew to New York three days after Night Ranger broke up, and the next thing I knew, the Damn Yankees were happening.”

Cannons - Fire for You (Official Video) Hotney 4 Просмотры • 3 лет тому назад

Listen to ‘Shadows’ featuring “Fire For You” by Cannons now: https://Cannons.lnk.to/SHDWSID

Amazon Music: https://Cannons.lnk.to/SHDWSID/amazonmusic
Apple Music: https://Cannons.lnk.to/SHDWSID/applemusic
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Soundcloud: https://Cannons.lnk.to/SHDWSID/soundcloud
Spotify: https://Cannons.lnk.to/SHDWSID/spotify
YouTube Music: https://Cannons.lnk.to/SHDWSID/youtubemusic

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Director: Ryan Rundle
Producer: Marco De Molina
Executive Producer: Frank Borin
Executive Producer: Ivanna Borin
Executive Producer: Bryan Younce
Assistant Director: Benjamin Del Guercio
Production Coordinator: Mariah Lewis
Director of Photography: Corey Jennings
Production Designer: Francesca Palombo
Costume Designers: Nick & Emma Sauer
Choreographer: Wendell Phipps

Editor: Ryan Rundle
Colorist: Derek Hansen
Color Assist: Zack Hetlage
Post Producer: Esther Minitser
Post Producer: Evan Astrowsky
Sound Designer: Robert Barito
VFX Supervisor: Gabe Sanchez
Visual Effects: James Buongiorno
Flame Artist: Chris Noellert

Lyrics:

I was on fire for you
where did you go
I could have died for you
How could you not know
I was alive with you
But you brought in the cold
Was I being lied to
Wish I never met you
Starting to regret you

My heart just just dropped
Thinking about you
The world just stops
when I’m without you

I was on fire for you
Fire on fire, fire on fire
I was on fire for you
Fire on fire, fire on fire

I was on fire for you
You’re breaking me down
Don’t know what I should do
When you come around

I’m leaving without your love
I have no choice
I know I’m being lied to
I just need some time to
Stop thinking about you

My heart just just dropped
Thinking about you
The world just stops
when I’m without you

My heart just just dropped
Thinking about you
The world just stops
when I’m without you

I was on fire for you
Fire, on fire, fire, on fire
I was on fire for you
Fire, on fire, fire, on fire

I was on fire for you
Fire, on fire, fire, on fire
I was on fire for you
Fire, on fire, fire, on fire I was

I was on fire for you

#Cannons #Shadows #FireForYou

Takin' It To The Streets - The Doobie Brothers (1976) Hotney 4 Просмотры • 3 лет тому назад

"Takin' It To The Streets" was the title track from the sixth studio album by American rock band The Doobie Brothers, released in 1976. It was the first album to feature Michael McDonald on lead vocals, and the single peaked at #13 on the U.S. Billboard Hot 100 chart. By late 1975, touring was beginning to take its toll on the band, especially leader Tom Johnston. Things became worse during touring in support of "Stampede" when he was diagnosed with stomach ulcers. His condition worsened and several shows had to be canceled. With Johnston forced to reduce his involvement with the band, the other members considered just calling it quits, but while in Baton Rouge, Louisiana, member Jeff Baxter suggested calling up friend and fellow Steely Dan graduate Michael McDonald, who at the time was between gigs and living in a garage apartment. McDonald was reluctant at first, feeling he was not what they wanted, but he agreed to join them and met them at the Le Pavillion Hotel in New Orleans where they moved on to a warehouse to rehearse for the next two days. Expecting to be finished once touring was completed, McDonald was surprised when the band invited him to the studio to work on their next album. The Doobie Brothers have sold over 30 million albums in the United States from the 1970s to the present, and were inducted into The Vocal Group Hall of Fame in 2004. This channel is dedicated to the classic rock hits that have become part of the history of our culture. The incredible AOR tracks that define music from the late 60s, the 70s and the early 80s . . . Classic Rock is here!

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POET The Band - Like A Devil (Official Music Video) Hotney 4 Просмотры • 3 лет тому назад

Spaceuntravel on Spotify: https://open.spotify.com/playl....ist/2HduDhi07ud8LSee
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Contact: spaceuntravel@yahoo.com

Turn on notifications to stay updated with new uploads

━━━━━━━━━━━━━━━━━━━

POET The Band:

OUT NOW the New Music Video by Poet The Band for "Like A Devil" off our debut EP "Death Era"

Stream “Like A Devil” now at:
http://linktr.ee/poettheband

Follow POET The Band:
https://www.facebook.com/poettheband/
https://www.youtube.com/@poettheband/videos
https://open.spotify.com/artis....t/6Mu1zqpBdIct4HIGRZ

━━

Produced by: POET The Band
Mixed by: Spencer Mabye
Mastered by: Ted Jensen at Sterling Sound

Music Video Produced by: Rhythmical Robot
Directed by Aiden Shaw
Cinematography by Blake DeRusha
Filmed in Atlanta at The Box and Encore Film and Music Studios

━━━━━━━

Lyrics

Like a Devil, I've become
Numb to the world, a bastard son
I've been beat down, played the fool
Scratching and crawling

In my darkest days I find
Even the devil has demons to hide
Through waging wars, I will rise
And I'm not giving up

Deader than dead can be
You stole a piece of me
Left me in misery
Am I giving up, moving on?
Stuck out here in the madness
I must be slipping off the edge
Will I find my way back home
Or will I fall
No matter how hard I try
You never seem satisfied
Made me give up my whole life

I'm fine but I'm still stuck in my head
Made a mess of the both of us
I can't bear to be a burden
I don't wanna drown and lose you now

Scratch and crawl my way out

Like a Devil, I've become
Numb to the world, a bastard son
I've been beat down, played the fool
Scratching and crawling
Like a Devil, I've become
Numb to the world, a bastard son
I've been beat down, played the fool
Scratching and crawl my way out

I'm fine but I'm still stuck in my head
Made a mess of the both of us
I can't bear to be a burden
I don't wanna drown and lose you now
Lose you now

Lose you

Giving up
Giving up

Am I giving up, moving up?

I'm fine but I'm still stuck in my head
Made a mess of the both of us
I can't bear to be a burden
I don't wanna drown and lose you now

Lose you

Lil Jon & The East Side Boyz - Get Low (feat. Ying Yang Twins) (Official Music Video) Hotney 4 Просмотры • 3 лет тому назад

Official music video for Lil Jon & The East Side Boyz - Get Low (feat. Ying Yang Twins), from the album Kings of Crunk. Director: Life Garland, Lil Jon. Producer: Kareem Johnson.

Stream on all platforms: https://orcd.co/getlow
Subscribe: http://bit.ly/QzHcrb

LYRICS

3, 6, 9 - damn you fine
Hoping she can sock it to me one more time
Get low (get low) get low (get low)
Get low (get low) get low (get low)
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down his b____ (b____)
'Til all these females crawl (crawl)
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got

Shorty crunk, so fresh, so clean
Can she ___That question been harassing me
In the mind, this girl is fine
I done came to the club about 50 11 times
Now can I play with your panty line?
The club owner said I need to calm down
Security guard go to sweating me now
Playa drunker than a muh, threaten me now

She getting crunk in the club, I mean she work it
And I like to see the females twerking
Taking her clothes off – ooh she naked
ATL - sorry don't disrespect it
P-pop your thang like this
Cause Yin Yang Twins in this B-I
Lil Jon and the East Side Boys with me
And we all like to see tig ol bitties
Now bring your self over here, girl
And let me see you get low if you want this thug
Now take it to the floor but if you want to act
You can keep your self where you're at

3, 6, 9 - damn you fine
Hoping she can sock it to me one more time
Get low (get low) get low (get low)
Get low (get low) get low (get low)
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down his b____ (b____)
'Til all these females crawl (crawl)
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got

Let me see you get low (you scared!)
Drop your hiney to the floor (You scared!)
Let me see you get low (you scared!)
Drop your hiney to the floor (You scared!)
Drop that hiney, shake it fast ey
Pop that hiney to the left and the right ey
Drop that hiney, shake it fast ey
Pop that hiney to the left and the right ey
Now back, back, back it up
Now stop (oh!) then wiggle with it (yea!)

3, 6, 9 - damn you fine
Hoping she can sock it to me one more time
Get low (get low) get low (get low)
Get low (get low) get low (get low)
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down his b____ (b____)
'Til all these females crawl (crawl)
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got

Ya'll twerking a little bit ladies
But you got to twerk a little bit harder than that
Right now, I need all the ladies that know they look good tonight
We want y'all to do it like this:
Bend over to the front, touch your toes
Back that hiney up and down and get low
Bend over to the front, touch your toes
Back that hiney up and down and get low

3, 6, 9 - damn you fine
Hoping she can sock it to me one more time
Get low (get low) get low (get low)
Get low (get low) get low (get low)
To the window (to the window)
To the wall (to the wall)
'Til the sweat drop down his b____ (b____)
'Til all these females crawl (crawl)
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got
'Til all skeet skeet skeet skeet skeet skeet
'Til all skeet skeet got got

© 2003 The Orchard

#LilJon #GetLow #YingYangTwins #KingsofCrunk #Crunk #CrunkAintDead #DirtySouth

Tate McRae - exes (Official Video) Hotney 4 Просмотры • 3 лет тому назад

“exes” Out Now: https://TateMcRae.lnk.to/exes
Tate McRae's new album, THINK LATER, is out December 8th. Pre-order and pre-save now! https://tatemcrae.lnk.to/THINKLATER
The THINK LATER Tour is coming to a city near you. Find tickets here: https://tatemcrae.com

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Lyrics:
Oh, I’m sorry, sorry that you love me
Changed my mind up like it’s origami
Oh, I’m sorry, sorry that you love me
Changed my mind up like it’s origami

K-Kisses to my exes who don’t give a shit about me
Kisses, kisses to the next ones who think they can live without me
We make up, then we break up
Then they swear they’ll never call me
But I still keep their number and their necklace
Kisses to my exes

Happens every time, I don’t mean, mean to be cold, but that’s how I get
Oh
Me and my all my pride
Try to burn down every damn bridge anytime we can
And again

Imma, Imma, Imma
Wild ride that never stops
Imma, Imma, Imma
Hard case they can’t unlock
And I, and I swear
I care a lot, just not enough
Let’s just say
It is what it is and was what it was

K-Kisses to my exes who don’t give a shit about me
Kisses, kisses to the next ones who think they can live without me
We make up, then we break up
Then they swear they’ll never call me
But I still keep their number and their necklace
Kisses to my exes

Oh, I’m sorry, sorry that you love me
Changed my mind up like it’s origami
Oh, I’m sorry, sorry that you love me
Changed my mind up like it’s ori-

Say, say I wanna go, then then, I wanna leave
Make another promise that I can’t keep
I don’t ever know what I want
But that’s what you want
If you’re down, well then don’t blame me
Breaking it all before it starts
Making it all up in my head
But I just overshare about things I never meant

Imma, Imma, Imma
Wild ride that never stops
Imma, Imma, Imma
Hard case they can’t unlock
And I, and I swear
I care a lot, just not enough
Let’s just say
It is what it is and was what it was

K-Kisses to my exes who don’t give a shit about me
Kisses, kisses to the next ones who think they can live without me
We make up, then we break up
Then they swear they’ll never call me
But I still keep their number and their necklace
Kisses to my exes

Oh, I’m sorry, sorry that you love me
Changed my mind up like it’s origami
Oh, I’m sorry, sorry that you love me
Changed my mind up like it’s origami

Kisses to my exes, I know that I did you dirty
Little messed up, little selfish
We ain’t married, I ain’t 30
Yeah we hooked up, then we broke up
Then I said you really hurt me
But I still got your number and your necklace
Kisses to my exes

Credits:
Director - Aerin Moreno
Creative Director – Bradley J. Calder
Production Company - freenjoy
EPs - Nathan Scherrer, Tara Sheree
Label Producer/Commissioner - Sam Houston
Head of Production - Ben Piety
Producer - Aiden Magarian
PM - Tori Storosh
Coordinator - Ivan Zigas
1st AD - Max Dean
2nd AD - Lizzy Walker
DP - Cory Burmester
Steadicam - Chris Loh
Jib Operator - Bryan Sprow
1st AC - Paul Weidt
2nd AC - Maud Laurent
Loader - Earl Davis
VTR - Evan Johnson
Gaffer - Dimitri Christoforidis
ACLT - Louis Weissman
Board Operator - Tyler Sanderson
SLT - Evan Hinds
SLT - Louie Cercedez
SLT - Gordon Hale
Key Grip - Brendan Riel
BBG - Connor Colby
Grip - Jerry Brown
Grip - Eric Fowler
Grip - Logan Alesso
Grip Hyph - Wilson Sun
Production Designer - Wesley Goodrich
Lead Man - Jon Hirsch
Lead Assist - Hunter Gorton
Set Dresser - Nick De La Rosa
Set Dresser - Michael Dukowski
Graphic Designer - Phillip Braun
Fabrication - Strong Arm Sets
Carpentry Lead - Duane Russel
Scenic Painter - Noelia Bello Bustamente
Art Assist - Cleo Camp
Art Assist - B Armstrong
Choreographer - Sean Bankhead
TM Stylist - Joanie Del Santo
TM Wardrobe Assist - Natalie Smithson
TM Makeup - Lilly Keys
TM Hair - Chad Wood
TM Nails - Sarah Chue
Costume Designer - Ann-Marie Hoang
1st Costumer - Mizuki Horigome
2nd Costumer - Gabriella Gilman
Key HMU - Morgan Andersen
Key HMU - Jennie Monnette
HMU Assist - Destiny Nash
HMU Assist - Abigail Smith
HMU Assist - Charlene Lefever
HMU Assist - Jennifer Vanessa Barrera
Dancer - Stevie Dore
Dancer - Tayler Reef
Dancer - Tacir Roberson
Dancer - Delaney Glazer
Dancer - Bailey Holt
Dancer - Madison Smith
Dancer - Joya Jackson
Dancer - Natalie Bebko
Gang Boss - Terrance Martin
Talent Moho - David Roumbos
Craft Services - Veronica Mclean
Craft Services - Karla Maria Padilla
Medic - Michael Smith
Office PA - Anne-Sophie Bine
AD PA - Chaguad Sitthiphap
Truck PA - Joe Blanca
Set PA - Aspen Miller
Set PA - Court Rutter
Set PA - Quincy Cowherd
Editor - Aerin Moreno
Colorist - Matt Osborne / CO3
Beauty - Sunset Edit
MGMT – Jeffrey Azoff
MGMT - Tommy Bruce
MGMT - Tom Skoglund
MGMT - Sali Kharazi
MGMT - Ali Saunders
Marketing - Sam Jacobson
Label - RCA Records

#TateMcRae #exes #OfficialVideo

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