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The Notorious B.I.G. Vs. Nas, JAY-Z, Wu-Tang, Big L, Roots etc - Beef Analysis [King Of New York] Hotney 3 vistas • 4 años hace

Biggie Vs Nas, JAY-Z, Big L, Ghostface, Raekwon, Wu-Tang, The Roots, Craig Mack, OGC, Jeru The Damaja, Royal Flush & 2Pac, Beef Analysis (King Of New York), Evolution Of Disstracks - Hip-Hop Universe

Competition has always played a big role in hip hop. Battle rhymes, diss songs, trying to outshine someone on his own song, it’s all in the spirit of competition.

But in the mid-90s, the competition in New York was especially heavy. Let’s think about the rappers were coming up at that time – you had Nas and Big both releasing landmark debuts in ’94, Mobb Deep damn bringing all of Queensbridge wherever they went, Raekwon with The Purple Tape and the rest of Wu-Tang by his side. Most of the rappers on our greatest of all time list came on the ’90s East Coast.

The Only Built 4 Cuban Linx album contained a skit called "Biters" in which Raekwon and Ghostface discuss how much they hate rappers that copy styles, slang & lyrics.

The Notorious B.I.G.’s album cover for “Ready to Die” was interpreted as biting Nas' “Illmatic,” cover, and the Chef and Ghostface clown Biggie without dropping his name – the point was made, and Big later kicked in the door.

Of interesting note is that Method Man was featured on Big’s The What and his own crew is spitting fire off the same album.

It seemed as though a new rapper was making their claim for the throne every other day. So when it came time for Nas to drop his highly anticipated sop****re record, on the song "The Message" he made sure to let everyone know who was the rightful king of New York.

It has been widely perceived as singling out B.I.G., who had been declared “king of New York” in an infamous 1995 profile in The Source.

Nas, whose Illmatic pioneered the NYC street rap that Biggie perfected for pop radio with hits like “Juicy”, tries to reassert his royal status on his more commercial sop****re album.

Nas has confirmed that the song actually disses The Notorious B.I.G. with the lines, “There’s one life, one love, so there can only be one King.” This lyric challenged Notorious B.I.G.’s title of King of New York at that the time of its release. He responded on the track “Kick in the Door” from his 1997 album Life After D3ath.

From Biggie’s second and final official album, Life After D3ath, “Kick in the Door” is a diss track aimed at everybody, nobody, haters, other rappers (including Nas, Jeru the Damaja, Raekwon, Ghostface Killah), and most importantly, YOU. He dissed more than a dozen rappers on the entire album & showed Nas & the Wu-Tang clan that he's the superior rapper & the rightful King Of New York.

Timestamps
0:00 - Intro: King Of New York
1:22 - 1993: Nas & Method Man meet The Notorious BIG
3:40 - 1994: Illmatic, Ready To D*e
11:06 - 1995: Raekwon accuses Biggie of biting, Verbal Int.
28:55 - 1996: 2Pac comes back, everyone disses Biggie & Biggie's accident
43:23 - 1997: Life After D*ath, Biggie disses everyone from New York (Nas, Wu-Tang, JAY-Z, OGC, Jeru The Damaja etc.)
1:41:01 - Late 90s: Nas & JAY-Z battle for Biggie's King Of New York title
1:45:42 - 2000s
1:48:48 - 2010s
1:49:21 - 2020s
1:49:39 - Outro

#hiphopuniverse #hiphopbeefanalysis

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Mac Miller - Stopped Making Excuses (Documentary) Hotney 3 vistas • 4 años hace

Mac Miller - Stopped Making Excuses

“I’m probably going to cry a few times through the course of this thing,” Mac Miller says in the first scene of Stopped Making Excuses, a new documentary produced and presented by The FADER.

What follows is a candid look at the Pittsburgh native’s past six years, starting with his ascent, when he was 19, as a popular but critically panned rapper. “I was an easy target. I admit that,” he says now. “It became one of those things where I got so much negativity that it almost became, like, ‘There’s no point to overly hate on this dude, let me look in and see what he’s doing.’ And when you look in, there’s some good music there.” Following his 2011 debut album, Billboard's first independently released No.1 in over a decade, Mac moved to Los Angeles, where it seemed to many he was thriving. That’s where Andrew Nosnitsky met him for Mac Miller's 2013 The FADER cover story, and where he played an endearing role in Earl Sweatshirt’s cover too.

But Mac says L.A. soon turned toxic, as he spiraled into increasing drug use. In one scene in Stopped Making Excuses, French Montana counsels him to slow down with codeine. In another, Mac appears in a bathtub wearing a long-sleeved shirt, top hat, and sunglasses, while saying “I’m not on drugs… drugs are on me.”

To finish 2015’s acclaimed GO:OD AM, he headed back to Pittsburgh to regain his composure. Watch him lead the Steelers onto the field, eat one of those weird sandwiches with french fries on it, and perform in his Taylor Allderdice High School graduation gown.

Now, he’s living in New York, trying to make sense of his past and orient himself to an independent, healthy future. “I’d rather be the corny white rapper than the drugged-out mess that can’t even get out of his house,” he says. “You don’t go down in history because you overdosed."

Director: Rob Semmer
Producer: Rob Semmer
Executive Producer: Joseph Patel
Executive Producers: Andy Cohn, Jon Cohen, Rob Stone, Anthony Holland
Director Of Photography: Scott Perry
Editor: Orion Barki
Assistant Editors: Christopher Jones, Scott Perry
Camera Assistant: Alexa Carroll, Zach McGeehan
Sound: Miliken Gardner, Molly Young
Editor: Orion Barki
Assistant Editor: Christopher Jones, Scott Perry
Color: Bryan Smaller @ Company 3
Sound Design: Eugene Wasserman
Titles: Kyle Sauer
Production Coordinator: Madison LaClair
Post Production: Sam Balaban, Saleh Ramazani
Still Photographer: Ethan Holland

http://www.thefader.com/2016/0....2/05/mac-miller-fade

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Man In The Box - The Alice In Chains Story ┃ Documentary Hotney 3 vistas • 4 años hace

Seattle, Washington, 1984. A group of kids attending Shorewood High School formed a group called Sleze. And as the name suggests, they were a band of Motley Crue Wannabe’s mostly playing cover songs from some of the notable glam metal artists of the time. Sleze were looking for a singer and although Layne had already taken up playing the drums, his step-brother Ken Elmer thought he should audition so he spoke to the band's drummer to see if they would be interested.

#AliceInChains #ManInABox #Documentary

Layne Rutherford Staley was born on August 22nd, 1967 at Overlake Hospital in Bellevue to his father Phillip Blair Staley and mother Nancy Elizabeth Layne. They lived in Kirkland, a suburb East of Seattle. The pair had only been married 6 months prior, with Phil being 29 and Nancy was just 19 years old. Phil was a car salesman and Nancy was competing in Beauty Pageants.

Just a few years later, when Layne was only 7, his parents would divorce and Nancy would remarry in 1975 to Jim Elmer. This didn’t appear to affect Layne too much though as he would comment many years later “No deep dark secrets there”.

Layne was just like any other normal kid, he loved art and drawing and just doing what kids his age did. His love for music wouldn’t kick in for another few years, although he did attend his first big concert at the age of 8 years old when Elton John came to town and his new Step-Father Jim took him to the show.

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Rod Wave: Tiny Desk (Home) Concert Hotney 3 vistas • 3 años hace

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Mano Sundaresan | April 29, 2021
The first song Rod Wave performs in his Tiny Desk concert comes with a bit of a wink. The St. Petersburg, Fla., rapper interpolates Drake's "Over My Dead Body," the delicate intro to Take Care. Like Drake, Rod Wave makes sad, melodic rap music. But his feels removed from the Canadian superstar's lineage. His cadences are more in step with the full-bodied crooning of Southern rap giants like Kevin Gates and Lil Boosie. It's been said that Rod Wave could be an R&B or blues singer in another era. With this Tiny Desk concert, anchored by the interplay of flute, piano, bass and drums, he seems to suggest: Why not this one?

Cast against a leafy, luxurious backdrop, Rod and his band deliver fiery renditions of three songs off his new album SoulFly, as well as his 2020 hit record "Rags2Riches." When he sings — about coming out of the trenches, about being away from his loved one, about perceptions of his artistry — you can feel the weight of those thoughts pouring out of every line. You can see it, too, in the way he shuts his eyes, grips the mic, sways back and forth. In light of his massive success — he's quite clearly one of the biggest rappers in the country right now — he could've treated this Tiny Desk like a victory lap, but instead, he brings the same heart and earnestness that's made him so beloved.

SET LIST
• "OMDB"
• "Rags2Riches"
• "Street Runner" (featuring Ruth B.)
• "Don't Forget"

MUSICIANS
• Rod Wave: vocals
• Gil Smith: piano
• Hosny Franck: drums
• Tomoka Nomura-Jarvis: flute, saxophone
• Franckelson Brunot: bass guitar, upright bass

CREDITS
• Video: Tyler Benz, Justin Staple, Albert Lago, Christian Cashmir, Tom Jordan, Tim Buttner, Andrew Ortoski
• Audio: Maceo Price for Skyballer Productions
• All The Smoke & Litewave Media

TINY DESK TEAM
• Producers: Bobby Carter, Mano Sundaresan
• Video Producer: Maia Stern
• Audio Mastering: Josh Rogosin
• Tiny Production Team: Kara Frame, Bob Boilen
• Executive Producer: Lauren Onkey
• Senior VP, Programming: Anya Grundmann

#rodwave #tinydesk #nprmusic

Mazzy Star The Tragic Story Of The Band Behind Fade Into You, David Roback, Hope Sandoval Hotney 3 vistas • 4 años hace

Mazzy Star: The Tragic Story Behind the Band who wrote "Fade Into You".

Updated version of the video with more info

https://youtu.be/Gm4PFPHNCJQ

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#mazzystar #hopesandoval #davidroback #fadeintoyou

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Mazzy Star was responsible for the early 90’s sleeper hit Fade Into You. Featuring David Roback, who wrote most of the band’s music, he was a talented multi-instrumentalist. He was joined by singer Hope Sandoval who wrote most of the band’s lyrics, the breathy vocalist with a haunting yet hopeful voice.

Their hit track was released on the band’s 1993 sop****re album “So Tonight That I Might See.” There was something pure about the band’s sound and their recording process. In a 2020 interview with Refinery 29, Sandoval said:

"I like to hang out in restaurants and cafés, eavesdrop on people's conversations and collect new stories. Then I go home and spend the evenings embellishing them."

Part of the band’s magic came from the soulmate-like connection between Roback and Sandoval. In a 2018 interview with Double J, Sandoval said that and i quote:
"Half the time we don’t even really need to speak to each other, we use telepathy." The pair was rumored to briefly be a couple around the time of recording their debut album, “She Hangs Brightly.”

The song Fade Into You became an anthem for lovelorn teenagers in the 90’s & Hollywood loved it too. The song was licensed to more than 30 movies and television shows & had artists like Ben Harper, Kelly Clarkson and Dinosaur Jr have all covered the song.

But before Roback became a musician he found himself in New York in the late 70’s wanting to become a painter telling the LA Times in 1990 “I went to New York mainly to be part of the art scene,”“But I gradually found myself getting more inspired by what was happening in music than in art. . . . People like Patti Smith and Television. I felt like a punk. That's the attitude I Iidentifid with, but when I picked up the guitar and started playing it, the music didn’t come out sounding punk. It was something else. . . ..” After brief stint in new york he would head back to Los Angeles.

Roback and Sandoval both started off in other bands before coming together to start Mazzy Star.

Roback went to UC Berkeley and started his band with his brother Steven called Unconscious with Susanna Hoffs, who would later be known for co-founding The Bangles. The two brothers started their next band, Rain Parade, in 1982, and they gained popularity in the L.A. indie scene.

The soft spoken Sandoval came from East LA where her parents worked in factory and she was the youngest of ten children. She would form the group Going Home while she was still in high school with frien d Sylvia Gomez in the early 80’s. Both women were big fans of Rain Parade, & they decided to make a bold move to get on their radar.

After a 1983 Rain Parade concert, Gomez snuck backstage to give David Roback a demo tape. At the time, Roback was under contract with Rough Trade records and Going Home was still unsigned, but doing gigs around LA. Upon hearing the demo, Roback offered to produce Going Home’s first album and play guitar on the record, but even to this day it has yet to be released.. It was also around this time that Rob

Sources:

https://www.latimes.com/archiv....es/la-xpm-1990-07-22

https://www.latimes.com/archiv....es/la-xpm-1993-11-30

https://books.google.ca/books?id=YQgEAAAAMBAJ&pg=PA14&dq=mazzy+star+billboard&hl=en&sa=X&ved=2ahUKEwjqg4r42831AhX0JTQIHeX5Bg0Q6AF6BAgKEAI#v=onepage&q=mazzy%20star%20billboard&f=false

https://books.google.ca/books?id=wwkEAAAAMBAJ&pg=PA12&dq=hope+sandoval+billboard&hl=en&sa=X&ved=2ahUKEwiZvZKO3M31AhVDHDQIHT80AOIQ6AF6BAgCEAI#v=onepage&q=hope%20sandoval%20billboard&f=false

https://www.washingtonpost.com..../archive/lifestyle/1

https://www.washingtonpost.com..../archive/lifestyle/1

https://www.abc.net.au/doublej..../music-reads/feature

https://www.refinery29.com/en-....gb/mazzy-star-hope-s

https://www.rollingstone.com/m....usic/music-news/mazz

Wet Leg: Tiny Desk (Home) Concert Hotney 3 vistas • 4 años hace

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Bob Boilen | December 1, 2021
No other band has brought me more joy in 2021 than Wet Leg, and I truly needed joy in 2021. When "Chaise Longue," came out in June, it felt like a gift. It's rare to hear a band's very first song sound as perfect as this one did, but that's part of the magic that Wet Leg exudes. Two dear friends – Rhian Teasdale and Hester Chambers — making music to make each other smile, then watching that smile spread as audiences catch on.

That song has a few deadpan lines lifted from the film Mean Girls: "Is your muffin buttered? Would you like us to assign someone to butter your muffin?" There's a golden moment in this Tiny Desk (home) concert when Rhian turns to Hester with the line, "Excuse me," while Hester responds dryly, "What?" Setting off a knowing smile back and forth made me love the band even more. They were gathered together at The Ventnor Exchange, a creative arts space/record shop/bar/venue on the Isle of Wight, their home turf. And their band – Henry Holmes on drums, Ellis Durand on bass and Josh Mobaraki on guitar and synth – amplify the rock and droll sound Rhian and Hester personify.

They've just announced the April 8 release date for their debut album, more tour dates, and shared two new songs, which you'll also hear them perform here. The new songs don't stray far from the two they'd previously released, which bookend this Tiny Desk (home) concert. Part of the footage was filmed on VHS tape, a bit of a wink toward their sound, which has roots in the '70s. It's not nostalgic, but it is playfully wistful.

SET LIST
"Chaise Longue"
"Too Late Now"
"Oh No"
"Wet Dream"

MUSICIANS
Hester Chambers: vocals, guitar
Rhian Teasdale: guitar, backup vocals
Henry Holmes: drums
Ellis Durand: bass
Josh Mobaraki: guitar, synth

CREDITS
Video: Joey Julliard, Oliver Bury, Josh Mobaraki
Audio: Patrick Lee, Josh Mobaraki
Special thanks: The Ventnor Exchange, Ventnor, Isle of Wight

TINY DESK TEAM
Producer: Bob Boilen
Video Producer: Maia Stern
Audio Mastering: Josh Rogosin
Tiny Production Team: Bobby Carter, Kara Frame, Sofie Hernandez-Simeonidis
Executive Producer: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nprmusic #tinydesk #wetleg

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