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The Howlin´ Wolf Story: The Secret History Of Rock And Roll (2003) (HQ) Hotney 3 意见 • 4 年前

Howlin' Wolf, aka Chester Burnett, came out of the deep south, out of the fields of Mississippi, out of a super-religious mother who stuck so firmly to her guns that Blues was "the devil's music" that she never spoke to her son for decades, out of racism and hardship, and made his own original, vibrant kind of music. He wasn't alone, as others like Muddy Waters came into prominence (and, according to a special feature on the DVD that should have been included with the rest of the doc, had a rivalry for some time), and shook up popular music first for black audiences and then slowly but firmly whites.

It's a remarkable journey, told with not a whole lot of style as a kind of direct-to-video approach, with a plethora of good facts and some humbling opinions (one of Wolf's closest musician friends and band-mates, Hubert Sumlin, provides the most entertaining anecdotes as a die-hard blues-man through and through). Plus, of course, the music, with some rare performances and even some home movies shot at Chicago clubs, of the Wolf's presence and magnetism coming out in strong forcefulness as he does crazy things on stage like lick his guitar and crawl on all fours. Whatever you want to say about his music it's inarguable that he doesn't get your attention, if only through that distinctive voice that's a sounds like it's been run-over and resurrected as an all-powerful bad-ass.

Thankfully, too, in such a short running time, there's a limit of how much drama there usually is in a musician-bio pic. Then again, Howlin' Wolf wasn't as naughty as other musicians: he didn't sleep around as a ladies's man (at least, from the doc's perspective, as much as say Muddy Waters), was a devoted husband and father, stayed away from drugs and most drink (he was so against it he openly criticized Son House during a performance), and only had his one real stinging problem being a lack of communication with his mother. While one wishes the movie was longer- more detailed, more infused with that pure air of rhythm and blues- what's here is enough to whet the appetite. At the least you'll want to put on some Wolf on the stereo right away or rush out to find some kind of record. He wasn't maybe the #1 best blues-man in America, but he certainly left his mark like only few others did. This doc is a good tribute to the Wolf's spirit.

Reign In Blood - The Slayer Story ┃ Documentary Hotney 3 意见 • 4 年前

On October 7th 1986, one of the most iconic records of a generation would send shockwaves through the music industry. It was such a controversial album, radio stations wouldn’t play it and Columbia Records refused to release it due to a song called Angel Of Death. Even when the record was released by Geffen, they refused to even put their logo on it.

#Slayer #ReignInBlood #Documentary

That album would be called Reign In Blood by Slayer. Arguably the most influential Thrash Metal band of all time. They’ve been attacked by religious groups, accused of being Satanic and faced a lawsuit that involved murder. Yet despite this, they are now a household name with 12 studio albums under their belt, millions of records sold worldwide and a legacy that will surely live on through the ages.

Slayers album covers alone were enough to trigger backlash from labels, parents, and Christian groups around the world, some of their song titles and lyrics would even have them pinned as Nazi sympathisers. We’ve seen similar stories about bands having links to Satanism when Black Sabbath arrived in 1968 and KISS in 1973 when people thought it was an acronym for Knights In Satan's Service. Slayer, however, played this to their advantage, they wanted to shock people, they wanted to stand out from the crowd, that’s exactly what they did and this is their story.

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Larry June: Tiny Desk (Home) Concert Hotney 3 意见 • 4 年前

This year, NPR Music is celebrating Black Music Month with an array of brand new Tiny Desk concerts — both from home and from behind our beloved Desk. Together, these artists represent the past, present and future of Black music. This month of carefully curated shows is a celebration of Black artists expressing themselves in ways we've never seen before, and of the Tiny Desk's unique way of showcasing that talent.

Bobby Carter | June 16, 2022
Larry June is the indie-rap hustle personified. His graduation from the streets has made way for his true purpose in rhyme: healthy living. The organic fruits and juices on the table in this performance indicate the lifestyle fervently pushed in his music. The two cell phones sitting beside him remind us that business is booming. He starts with a few signature adlibs before imploring, "Don't check me / Check the air quality." This lavish living room setting, with the Los Angeles night sky as a backdrop, sets the proper mood for Larry June's Tiny Desk (home) concert.

The Bay Area emcee has been at this for a while, adopting the independent approach like many before him: saturating the market with product and profiting from shows and merch. While much of the music industry stumbled and stalled during the uncertainty of 2020, Larry put up numbers, releasing half a dozen projects from his home studio. Here, he's able to comfortably sit back in the laid-back tone we're used to hearing on his records and not the dialed-up mood of his stage show. His band, The NME, replays and beefs up the sample on 2020's "Just me & you," plus songs from 2019's Out The Trunk and Early Bird.

In theory, a motivational rapper rapping about bike rides, hikes and investments would be deemed shtick in 2022 — yet he's here, authentic and refreshing. Good job, Larry.

SET LIST
"SLS 30 Days"
"Just me & you"
"Dear, Snow"
"Let's Drive To Vegas"

MUSICIANS
Larry June: vocals
Isaac Oshuntola: bass
Eddie Hamilton: guitar
Jarrett Freeman: keys
Jack Monk: guitar
Brandon Stennett: drums

CREDITS
Producer: Marco Alexander, Andrew Min
Video Assistant: Kian Wang
Recording Engineer: Migui Maloles
Assistant Recording Engineer: Joshua "Jay Que" Queen
Mixed by: Migui Maloles, Todd Cooper

TINY DESK TEAM
Producer: Bobby Carter
Video Producer: Michael Zamora
Audio Mastering: Josh Rogosin
Animation: Kaz Fantone
Tiny Production Team: Bob Boilen, Kara Frame, Joshua Bryant, Maia Stern, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#NPRMusic #TinyDesk #LarryJune

SFJAZZ Collective: Tiny Desk (Home) Concert Hotney 3 意见 • 4 年前

Suraya Mohamed | August 10, 2022
How exciting to see so many all-star jazz greats performing together. The SFJAZZ Collective is a talented cohort of artists who perform arrangements of works by modern composers and also newly commissioned pieces by each member of the band.

In 2020, the Collective was scheduled to perform an in-person Tiny Desk concert, but it was canceled due to the pandemic. We are still working to make that happen — but in the meantime, let’s enjoy this uplifting Tiny Desk (home) concert, recorded in The Joe Henderson Lab at SFJAZZ, a large, sunny venue that serves as both a live performance space and as the Collective’s rehearsal space.

Earlier this year, the ensemble released New Works Reflecting the Moment (Live from the SFJAZZ Center 2021), an album addressing racial injustices, the ongoing pandemic and political polarization. In this concert, the musicians perform three songs from that project. “Ay Bendito” was written by tenor saxophonist David Sánchez, and its title is slang for “oh my God'' or “aw man”; it’s also subtitled “The Struggle Continues.”

Written to reflect the present moment, especially the isolation and social upheaval many of us continue to endure, “Mutuality” by tenor saxophonist Chris Potter was inspired by a Dr. Martin Luther King Jr. quote that reads, “Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly affects all indirectly.”

Vocalist Gretchen Parlato’s “All There Inside '' was written with fellow SFJAZZ Collective vocalist Martin Luther McCoy in mind. Their voices fit together beautifully, and both the warm harmonies and the charming melody are the perfect foundation for Parlato’s inspiring message of hope and positive change: “Because it’s all there inside, all there inside of you.”

SET LIST
“Ay Bendito”
“Mutuality”
“All There Inside”

MUSICIANS
Chris Potter: music director, tenor saxophone, winds
David Sánchez: tenor saxophone
Etienne Charles: trumpet
Warren Wolf: vibraphone
Edward Simon: piano
Matt Brewer: bass
Kendrick Scott: drums
Gretchen Parlato: vocals
Martin Luther McCoy: vocals

CREDITS
Video: Robert Bambey, Diego Munguia
Audio: Jeff Cressman, Josh Badura

TINY DESK TEAM
Producer: Suraya Mohamed
Video Editor: Joshua Bryant
Audio Mastering: Josh Rogosin
Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Michael Zamora, Maia Stern, Ashley Pointer
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#TinyDesk #NPRMusic #SFJAZZCollective

Linda Diaz, 2020 Tiny Desk Contest Winner: Tiny Desk (Home) Concert Hotney 3 意见 • 4 年前

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Presenting the 2020 winner of NPR's Tiny Desk Contest, Supported by State Farm

Oct. 5, 2020 || Linda Diaz -- Winning the Tiny Desk Contest has been a surreal experience for me, not only because it's a big, big honor, but because it's all happening in the midst of a global pandemic. Even just shooting my Tiny Desk (home) concert has been a wild ride: getting the band together, getting the NPR team together, figuring out how to shoot safely with everyone in New York City. At one point, we finally had everything set and ready to go. Then, days before the shoot, I tested positive for COVID-19. I will spare you all the details (lots of tears, lots of phone calls), but I am so grateful for my band, the NPR Music team and the Javits Center for going above and beyond for me, the human as much as me, the musician.

Even though I couldn't be at the Desk, I'm feeling lucky to have been able to share some extra little parts of my personality with my (home) concert. Like, how dope is it to be able to say that I'm not only the 2020 Tiny Desk Contest winner, but that we were the first musicians ever to perform on the top of the Javits Center?! In more ways than one, this concert is a victory and a dream come true for me.

Through this whole process, it has felt weird to be celebrating, but what has been reiterated time and again is that it is more than OK to be Black and celebrate and mourn and organize and rest and any other number of things. Black joy is radical because it actively opposes defeat. It is necessary.

SET LIST
"Magic"
"Green Tea Ice Cream"
"Honesty"

MUSICIANS
Linda Diaz: vocals
Jade Che: keys
Matt Fishman: bass
Bianca B. Muniz: vocals
Jacqueline A. Muniz: vocals
Andrés Valbuena: percussion

CREDITS
Producers: Kara Frame, Pilar Fitzgerald, Bob Boilen
Videographers: Kara Frame, Tsering Bista
Audio Engineers: Nickolai Hammar, Josh Rogosin
Video Producer: Morgan Noelle Smith
Associate Producer: Bobby Carter
Executive Producer: Lauren Onkey
Senior VP, Programming: Anya Grundmann

#tinydesk #tinydeskcontest #lindadiaz

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