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MACKLEMORE & RYAN LEWIS - SAME LOVE feat. MARY LAMBERT (OFFICIAL VIDEO) Hotney 2 vistas • 3 años hace

Same Love feat. Mary Lambert on iTunes: http://itunes.apple.com/us/alb....um/same-love-feat.-m

We support civil rights, and hope WA State voters will APPROVE REF 74 and legalize marriage equality. Visit http://www.music4marriage.org for more info. Support Marriage Equality by ordering the limited edition Same Love vinyl here: http://www.subpop.com/catalog/....artists/macklemore_a

Same Love, as featured on the debut album from Macklemore & Ryan Lewis, The Heist, will be available 10/09/2012

The Heist
iTunes: http://itunes.apple.com/WebObj....ects/MZStore.woa/wa/
Amazon: http://amzn.com/B00908DDZM
Deluxe CD: http://www.macklemoremerch.com
In-Stores NOW!!

Same Love, A Film By:
Ryan Lewis
Jon Jon Augustavo
Tricia Davis

Directed by:
Ryan Lewis
Jon Jon Augustavo

Produced by:
Tricia Davis

Director of Photography:
Mego Lin

Associate Producer:
Honna Kimmerer

Starring:
Jairemie Alexander
William Pontius
Shelton Harris
Sarita Valdez
Jay Sommerville

Cast:
Jairemie Alexander
William Pontius
Shelton Harris
Sarita Valdez
Jay Sommerville
Thomas Collins
Tina Tsiakalis
Kendall Kapsner
Rosie Cole
Rory King
Josue Gonzalez
Mia Clapp Perfetti
Mary Lambert
Robert Braxton
Jaida Kimmerer
Brooklyn Thornton

Crew:
Tricia Davis - Producer
Mego Lin - Director of Photography
Honna Kimmerer - Production Design
Miles Johnson - Lead Green
Evelyn Brodersen - Lead Green
Jennifer Terrana - Lead Green
Jennifer Popochock - Makeup Artist
David Herberg - Key Grip
Wil Drake - Best Boy Grip
Mike Dyrland - Best Boy Grip
Yu Chen Lin - Gaffer
Blueboy Sguiggley - Production Assistant
Seth McDonald - Production Assistant
Chris Duerkopp - Steadicam Operator
Craig Nisperos - Still Photographer
Austin Santiago - Location Services
Ben Haggerty - Story Supervisor
Sahwn Anderson - Transportation Coordinator
Nic Adenau - Additional Footage
Dan Torok - Casting

Special Thanks To:
Tina Tsiakalis @ Eastlake Center For Birth - http://centerforbirth.com/
Greg Turk & Ray Nutter @ All Pilgrims Church - http://www.allpilgrims.org/
The Parry Family & The Kimmerer Family
Miles Johnson @ Fiori Floral Design - http://www.fiorifloraldesign.com/
Meadowbrook Community Center - http://www.seattle.gov/parks/c....enters/meadowbrookcc
Kelly Warner-King
Kristie Gamer and Alvin Stillwell

And a VERY special thank you to Kerri Harrop (Music for Marriage) for her hard work and dedication in the fight for marriage equality and her devoted support to Same Love as an idea, song, and finally now as a music video. "Same Love" and the campaign to approve Ref 74 wouldn't be the same without you, Kerri.

SONG:
Macklemore & Ryan Lewis
Same Love feat. Mary Lambert
(B. Haggerty, R. Lewis, M. Lambert)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore, Mary Lambert
Piano performed by Josh Rawlings
Violin by Andrew Joslyn
Cello by Natalie Hall
Trombone by Greg Kramer
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WA
Mastered by Sterling Sound, New York City, NY

Macklemore & Ryan Lewis managed by Zach Quillen

Chris Janson - You, Me & The River (With Eric Church) [Official Music Video] Hotney 2 vistas • 3 años hace

Chris Janson - You, Me & The River (With Eric Church) [Official Music Video]

Director: Reid Long
Producer: Christen Pinkston & Wesley Stebbins-Perry
Production Company: Reid Long

Check out the Chris Janson Official Music Videos Playlist: https://wmna.sh/cj_omv
Subscribe to Chris' channel for all the best and latest official music videos, official audio, albums, behind the scenes, live performances and more! https://wmna.sh/cjsubscribe

See Chris on tour! https://www.chrisjanson.com/tour
Get your Chris Janson merchandise here! https://store.chrisjanson.com/
Explore Chris' music catalog! https://ChrisJanson.lnk.to/discography

Stay in touch with Chris!
Website: https://www.chrisjanson.com/
Facebook: https://www.facebook.com/chrisjansonmusic
Twitter: https://twitter.com/janson_chris
Instagram: https://www.instagram.com/thechrisjanson/

The official YouTube channel of Chris Janson.

“Live legacy in the making” (Rolling Stone) Chris Janson is a platinum-selling recording artist, high-octane entertainer, multi-instrumentalist and award-winning singer/songwriter. The ACM Award-winner has collected prestigious accolades that place him amongst country music greats. Both his inspiring hit “Drunk Girl” and his chart-topping, 3x Platinum smash “Buy Me A Boat” were named among NSAI’s “Ten Songs I Wish I’d Written” lists – making Janson one in a handful of the industry’s most elite artists to earn the title multiple times. “Buy Me A Boat” was also recognized as the iHeartRadio Music Awards Country Song of the Year. “Good Vibes,” the flagship single from his 2019 album Real Friends, and follow-up “Done” each topped the country charts, bringing his total of No. 1 songs to four – and now the hit-maker is entering a new chapter with his fourth studio album All In, due April 29. The fully loaded 16-track project finds Janson demonstrating the range of his artistry, featuring all-star collaborations with Eric Church and Travis Tritt. Lead single “Bye Mom,” derived from the real-life story of co-writer Brandon Kinney, is a triumphant ode to unconditional love. In addition to his own successes, the talented songwriter has lent his pen to industry peers including Tim McGraw (“Truck Yeah,” “How I’ll Always Be”), LOCASH (“I Love This Life”) and the legendary Hank Williams Jr. (“God Fearin’ Man,” “Those Days Are Gone”). With more than seven billion airplay impressions to date and nearly two billion career streams, Janson is, more than ever, All In.

#ChrisJanson #YouMeAndTheRiver #EricChurch

Badfinger- The Tragic Story of The Band - Deaths of Pete Ham, Tom Evans Hotney 2 vistas • 3 años hace

Badfinger: The Tragic Story of the Band

0:00 - Introduction/The Iveys
5:45 - The Iveys Become Badfinger
8:39 - Management Problems
10:38 - Warner Brothers Years
13:07 - Lawsuits/Band Deaths

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#badfinger #peteham #thebeatles

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

As the first non-solo act on Apple Records, Badfinger had remarkable chemistry, huge hits on the charts, and they’d be critically acclaimed as natural successors to The Beatles. In fact some referred to the band as and i quote ‘the new Fab Four. and they were handpicked by the members of the Beatles themselves.’ Their songs and albums made millions, But a series of financial and legal complications would lead to the deaths of its two main songwriters, and a bittersweet legacy going forward. This is their story.
Badfinger’s roots go back to the early 60s, in the close-knit music scene of Swansea (swanzee) Wales, a port city almost like a little liverpool.. While initially performing on the local circuit using temporary names, their first serious incarnation was as the Iveys, which came together in 1961. Their early lineup consisted of frontman Pete Ham on lead guitar, Dai Jenkins on rhythm guitar, Ron Griffiths on bass and Roy Anderson on drums.The Iveys sets heavily covered black american music.
By 1965 drummer Roy Anderson’s work life took hold. He was replaced by Mike Gibbins, who was introduced to the band through Griffiths. In an interview with Gary Katz for the documentary Badfinger: The Director’s Cut, Gibbins recalled feeling uncertain about this transition, but eventually accepted his role.
“It was really strange, because these guys were like mods. They had criss-cross-patterned trousers and short hair like the Faces, [but] they were playing good stuff,” he’d say.
“Pete [Ham] didn’t like my playing. He thought it was pretty abysmal, and that my bass drum sounded flipped out. I went for a pint at the bar around the corner and thought that was that, but to my amazement, he came over and said, ‘We want you in the band.’
The Iveys soon became one of Swansea’s top local band and shared billing with another emerging act, The Mojos. Bill Collins, a session musician, was impressed with the Iveys’ performance, and took them under his wing. While not a manager per-se, he did have industry connections, and got them a job as the backing band for David Garrick. Their shows were so popular that the band members commanded more attention than Garrick himself, particularly Dai Jenkins, with Gibbins recalling in a separate interview,
“We’d be doing a gig in Ireland, and he’d be singing Mrs. Applebee, and the girls would be screaming, screaming, screaming, but then he’d go, ‘Hang on a minute,’ look to the other side and…there would be crowds around Dai.” “I think that’s the reason we got fired."
Collins moved with The Iveys to London, England, where they’d set up base at his communal house in Golders Green. The band was being paid 5 pounds a week as a retainer, not a whole ot. He encouraged the band to focus on songwriting and frontman Pete Ham would take that to heart, demoing tons of original songs using the house’s makeshift studio. Meanwhile the band’s continued live repertoire of R&B, Motown, and Beatles hits began drawing a lot of attention from record labels. Collins was insistent on signing with the fledgling Apple Records, which was owned by the Beatles themselves. The label was known for being the most artist friendly label at the time.
In 1967, guitarist Dai Jenkins was dismissed from the band after his commitment waned, and was replaced by 24 year old Tom Evans, a native of Liverpool, England who would become another piece of the signature lineup. As explained in Dan Matovina’s book, Without You: The Tragic History of Badfinger, The Iveys were in instant awe of Evans’ musicianship, but his personality took a bit of getting used to, with Gibbins remembering:
“As soon as Tom moved in, he was complaining. He was from Liverpool and we were from Wales. He said that he couldn’t relate to anybody. My feeling was, ‘Just tag along, man. This is a band.”
Local musician Will Youatt telling Loudersound “They played all the local haunts,” “They were a good-looking sort of band, but no great shouts musically. Then they got rid of Dai and Ronnie and replaced ’em with the Liverpool boys – then they became songwriters.”
By the next year, The Iveys prepared demos for Apple Records, a

System of a Down: Why Saturday Night Live Banned The Heavy Metal Group Hotney 2 vistas • 3 años hace

System of a Down: Why Saturday Night Live Banned The Group

The Replacements Banned From SNL
https://www.youtube.com/watch?v=-NBfCgW-qMw&t=224s

Rage Against the Machine Banned From SNL
https://www.youtube.com/watch?v=8k13j_6u90o&t=4s

Elvis Costello Banned From SNL
https://www.youtube.com/watch?v=bxZyPyEf4NI&t=26s

FEAR Banned From SNL
https://www.youtube.com/watch?v=D6QTij6x4Vg

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#systemofadown #soad #serjtankian

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

I’ve covered a lot of artists who have been banned from SNL including the Replacements, Rage Against the Machine, FEAR and the temporary ban of Elvis Costello. The links to those vidoes are down below! But today I want to talk about a more recent incident that happened in 2005 that saw the band System of a Down anger NBC’s censors and resulting in the group being banned from the show.

2005 saw System of a Down release not one, but two albums mesmerize in may 2005 followed by hypnotic later in may of tha tyear. To promote their first release mesmerize the band appeared on the may 7th episode of the show with host johnny knoxville. Some episode highlights apart from system of a down that night were that american idol judge paula abdul made a guest appearance in the cold open and introduced system of a down’s second performance and it was jason sudekis first appearance as a cast member and will forte’s mother appeared on weekend update.

System of a Down performed two songs that night their massive hit ‘B.Y.O.B (Bring Your Own Bombs)’ off their new album followed by aerials off toxicity. BYOB’s strong anti-war message against the second iraq war made the NBC censors nervous, given how politically divisive the second iraq war was

While the song’s lyrics contain the profanity laden lyric “Where the f&&&are you?”. NBC allowed the band to play the song with the profanity but ran the show on a five second delay so it could be bleeped out. At this point in time SNL wasn’t running on a delay but made an exception that night. The network was successful in bleeping out the curse words, but it was an off the cuff moment that made it’s past NBC’s censors when guitarist Daron Malakian walked up to the microphone and said “fuck yeah!” An NBC spokesmanEW.com that the network has received no complaints regarding the incident, though the network issued a statement slamming System of a Down and their management for the and i quote “unscripted expletive” and claimed the off the cuff moment was removed from later broadcasts of the episode.

The band would never be invited again onto the show, but in 2018 host Tina Fey covered the song chop suey during a skit. 2005 was a crazy year for tv censorship as motley crue also landed themselves in hot water with NBC.

Motley Crue Story

Today’s story is a pretty strange one. Back in 2005 Motley Crue appeared on an American Television Network to promote their anthology album at the time. The whole appearance ended with the band turning around and suing the television network for hurting album and concert sales and violating their free speech rights Let’s explore what happened in today’s video.

On December 31, 2004 Jay Leno’s tonight show on nbc held a new year’s eve episode with Motley Crue as the musical guest. The band was promoting their anthology album called Red, White and Crue. Motley Crue performed two of their classic songs girls girls girls and dr. feelgood . During Motley Crue’s performance of Girls Girls Girls frontman Vince Neil turned to drummer Tommy Lee and said, used an expletive as you can see here.

Of course the Federal Communications Commission who is responsible for monitoring the broadcast ariwaves received viewer complaints that probably could be counted on one hand. Fearing the wrath of the federal government who could’ve fined the network or worse removed their licenses, NBC quickly banned Motley Crue from any future appearanc Tommy Lee would appear by himself in an upcoming television reality show called Tommy Lee goes to college despite the ban, Motley Crue’s lawsuit alleged the network censored the group as a whole to please the federal government so no actions would be taken against NBC

The band’s lawyers pointed to U2, System of a Down and John Mayer for having similar slip ups but not facing the same consequences. Motley Crue’s lawyers zeroed

on Bono’s acceptance speech at th

Source

https://faroutmagazine.co.uk/s....ystem-of-a-down-bann

Silverchair: The Rise & Fall Of The Band Behind Frogstomp & Songs Tomorrow, Ana's Song, Hotney 2 vistas • 3 años hace

Silverchair: the rise and fall of the band behind 1995 album Frogstomp and the hit single 'Tomorrow.'

0:00 - Early Days
3:10 - 'Tomorrow' Single
4:00 - Silverchair Blows Up
7:04 - Freakshow Era
8:15 - Daniel John's Struggles
11:00 - Final Years/Breakup

israel's son video

https://www.youtube.com/watch?v=FJC1o-eKNKc&t=1s

Local H Video

https://www.youtube.com/watch?v=Cr5q2NNHjEY

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#silverchair #frogstomps #tomorrow

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

Silverchair was one of biggest bands to come out of Australia. The rock trio would make a mark a few years after grunge had taken over.. In fact, they had their big break not even a year after Kurt Cobain died. This put Silverchair in the unique category of post-Nirvana alt-rock acts that included the likes of Foo Fighters, Puddle of Mudd, Bush, and Local H. By the way guys I’ve done a whole video on whatever happened to Local H, link is down below.

Silverchair would also end Australia’s musical draught by being the first band to have a debut album chart in the top 10 in America since 1982’s Men At Work’s record and the first Australian band in 5 years to have an album chart in the top 10. The last band before them was INXS.

Vocalist and guitarist Daniel Johns grew up in a musical home with his parents frequently blasting Black Sabbath and Deep Purple records. Johns and his schoolmate, a drummer nme Ben Gillies (GILL EEES) started jamming together as teenagers in 1992 in Newcastle, Australia,a blue collar working town north of Sydney, The pair wanted to get serious about music and enlisted bassist Chris Joannou (Joe-Knew) and called themselves Innocent Criminals. They soon started jamming on Pearl Jam songs before writing their own.

By the spring of 1994, a neighbour of Johns told the young musician about a demo tape contest called Pick Me that was being broadcast on the TV show NOMAD and being sponsored by local radio station Triple J FM. John’s was a little skeptical telling Rolling Stone “We’d been in competitions before and didn’t do shit. But we sent in our tape.”

Silverchair would be one of more than 800 entires into the contest and thought their tape would be lost in the shuffle. Their tape they submitted was credited to their old monicker Innocent Criminals. One of the show’s judges heard the almost 7 minute long demo of Tomorrow and was blown away It was no surprise the band’s demo stood out considering how awful some of the submissions were. one band did a song about tuna fish while another artist submitted a song that heavily sampled movies include the fugitive and star trek. That judge who discovered Silverchair would be a video director named Robert Hambling who told rolling Stone in 1996
“It stood out even stronger because I’d just listened to about 80 or 100 demos back-to-back,” From my point of view, in a competition to find new talent, you couldn’t find a more perfect example than three young lads in their bedrooms in Newcastle with a song that, I believed, could be a No. 1 megaworldwide smash hit.”

The other judges concurred and awarded Silverchair the show’s grandprize, which included a full day recording session to spruce up Tomorrow, a video shoot for the single at an old prison. By June of 1994 the video for Tomorrow aired on the TV Show Nomad and Triple JJJ FM added it to their rotation .

Within a week of the band getting radio airplay record labels were chomping at the ability to sign the band. John’s mother who managed the group at the time was being contacted by Australian labels including Murmur who was owned by Sony. The reps for Murmur went to a local gig the band played at in Newcastle. What’s funny is that the reps went to a local newcastle pub called the Jewels Taverns but because hte boys were underage they weren’t allowed to play there, so they had to play in the restaurant next door to the bar.The band signed withMurmur records who released Tomorrow as a single under their new band name Silverchair. The name originated from combining the Nirvana song Sliver, which one of the members thought was spelled silver and the track Berlin Chair by You Am I. A month after it’s release Tomorrow topped the charts in Australia selling 175,000 copies. It was estimated that approximately 1 percent of australia’s population purchased the single.

Damn Yankees: The Rise and Fall of The Supergroup - Tommy Show, Jack Blades, Ted Nugent Hotney 2 vistas • 3 años hace

Damn Yankees: Whatever Happened to the Supergroup to Feature Jack Blades, Tommy Shaw and Ted Nugent?

0:00 - Intro/Formation
3:41 - First Album/Record Deal
6:00 - Band Falls Apart

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#damnyankees #tednugent #tommyshow #jackblades

I cite my sources and they may differ than other people's accounts, so I don't guarantee the actual accuracy of my videos.

The late 80’s were a difficult time for some high profile rock musicians who enjoyed success a decade or several years prior. Rock N’ Roll bad boy Ted Nugent’s career seemed pretty quiet during this time and some people even counted him out. But he wasn’t the only one struggling at the timer as former Styx frontman Tommy Shaw was charting embarking on a solo career having released 3 albums, While Night Ranger’s bassist Jack Blades was reeling with the breakup of his band. It would seem strange that three musicians having lulls in their careers would become an attractive prospect to one of the biggest A&R men in the music industry, but it happened Damn Yankees would be born. Today, let’s explore the history of Damn Yankees.

Geffen Records A&R man John Kalodner seemed like an expert in reviving struggling musicians careers/. He helped Aerosmith and Whitesnake reinvent themselves and he had the same plan for Tommy Shaw, Jack Blades and Ted Nugent.. He would tell Ultimate Classic Rock "I just had this idea – I think I had dinner with Jack Blades or maybe Tommy Shaw and for some reason, I got in this mindset,""I knew Ted Nugent well and he wasn’t really doing anything. Night Ranger wasn’t really doing anything, and Tommy Shaw was kind of in and out with Styx. So I came up with this crazy idea to have the three of them have a supergroup."

Ted Nugent would establish himself in the 1970’s as one of the bad boys of rock n’ roll, but like many musicians who were popular in the 70’s, a decade later musical tastes had changed and newer sounds and bands had taken over.. Tommy Shaw meanwhile would front the pop-rock/ adult oriented group Styx where he would clash with Dennis DeYoung over the band’s sound. Jack Blades meanwhile cut his teeth singing, playing bass and writing songs for Night Ranger, but the record label according to him destroyed the band telling the LA Times in 1991 “Sister Christian,” Night Ranger’s big 1984 hit, was a ballad, and from that point on, Blades recalled, “Our record company only allowed us to release more ballads, and that really destroyed a good rock ‘n’ roll band.”
The origins of Damn yankees dated back to 1988 when to Shaw and Nugent were sitting together at a music show show business dinner in florida. Following the meal Shaw told Nugent according to the Chicago Tribune “When it was over we were saying why don’t we get together after we finish promoting our records.” It would be Shaw and his manager who called up Kalodner’s office asking for Nugent’s number. Kalodner would claim that Nugent thought the idea was initially stupid, but after much convincinghe gave it a try.

The early days of 1988 initially saw Shaw and Nugent jamming together on acoustic guitars and coming up with the song “Come Again” which ended up on the group’s debut album.At the time the band had a stand in player on bass and while Nugent and Shaw felt chemistry, Kalodner felt like the band was missing something. That’s when he enlisted Jack Blades of Night Ranger fame. Blades would tell the LA Times in the same 1991 interview “After we finished doing our last album, we basically broke up because they picked up their option to do another album and we refused, because they would have stuffed us into the garbage can again,” “Three days later, a friend of mine told me Ted and Tommy were rehearsing over in New York City and he said, ‘Hey, why don’t you go and see what it’s like?’

“So I flew to New York three days after Night Ranger broke up, and the next thing I knew, the Damn Yankees were happening.”

Cannons - Fire for You (Official Video) Hotney 2 vistas • 3 años hace

Listen to ‘Shadows’ featuring “Fire For You” by Cannons now: https://Cannons.lnk.to/SHDWSID

Amazon Music: https://Cannons.lnk.to/SHDWSID/amazonmusic
Apple Music: https://Cannons.lnk.to/SHDWSID/applemusic
iTunes: https://Cannons.lnk.to/SHDWSID/itunes
Soundcloud: https://Cannons.lnk.to/SHDWSID/soundcloud
Spotify: https://Cannons.lnk.to/SHDWSID/spotify
YouTube Music: https://Cannons.lnk.to/SHDWSID/youtubemusic

Follow Cannons:
Instagram: https://www.instagram.com/cannonstheband/
Facebook: https://www.facebook.com/cannonstheband
Twitter: https://twitter.com/cannonstheband
YouTube: https://www.youtube.com/c/cannonstheband
Web: https://www.cannonstheband.com/
TikTok: https://www.tiktok.com/@cannonstheband

Director: Ryan Rundle
Producer: Marco De Molina
Executive Producer: Frank Borin
Executive Producer: Ivanna Borin
Executive Producer: Bryan Younce
Assistant Director: Benjamin Del Guercio
Production Coordinator: Mariah Lewis
Director of Photography: Corey Jennings
Production Designer: Francesca Palombo
Costume Designers: Nick & Emma Sauer
Choreographer: Wendell Phipps

Editor: Ryan Rundle
Colorist: Derek Hansen
Color Assist: Zack Hetlage
Post Producer: Esther Minitser
Post Producer: Evan Astrowsky
Sound Designer: Robert Barito
VFX Supervisor: Gabe Sanchez
Visual Effects: James Buongiorno
Flame Artist: Chris Noellert

Lyrics:

I was on fire for you
where did you go
I could have died for you
How could you not know
I was alive with you
But you brought in the cold
Was I being lied to
Wish I never met you
Starting to regret you

My heart just just dropped
Thinking about you
The world just stops
when I’m without you

I was on fire for you
Fire on fire, fire on fire
I was on fire for you
Fire on fire, fire on fire

I was on fire for you
You’re breaking me down
Don’t know what I should do
When you come around

I’m leaving without your love
I have no choice
I know I’m being lied to
I just need some time to
Stop thinking about you

My heart just just dropped
Thinking about you
The world just stops
when I’m without you

My heart just just dropped
Thinking about you
The world just stops
when I’m without you

I was on fire for you
Fire, on fire, fire, on fire
I was on fire for you
Fire, on fire, fire, on fire

I was on fire for you
Fire, on fire, fire, on fire
I was on fire for you
Fire, on fire, fire, on fire I was

I was on fire for you

#Cannons #Shadows #FireForYou

The White Stripes How The Media Exposed Jack & Meg White's Lie Hotney 2 vistas • 3 años hace

The weird story of how Jack and Meg White of the White Stripes tricked everyone into thinking they were brother and sister and not married.

Whatever happened to Meg White!
https://www.youtube.com/watch?v=M7qkcPpePa8&t=9s

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#megwhite #jackwhite #whitestripes

It was a frequent site at the White Stripes concerts to see Jack White introduce his bandmate as “big sister Meg.” The White Stripes formed in the late 90’s at a time when Rock N’ Roll was kind of in a weird spot. The dust had settled on the alternative rock movement of the early 90’s and while there still were bands on the charts from that era, it was a far cry from their heyday. Most of the popular rock songs of the time were considered pop-rock and what some would call post-grunge. The White Stripes seemed like a breath of fresh air while also being a throwback. A band that paid homage to the blues. The White Stripes would go on to heavily influence the revival of garage rock in the late 90’s and the early 2000’s with band’s like the the Black Keys and the Strokes following in their footsteps.
But from day one Jack and Meg concocted a story that they were brother and sister, despite the fact that they were married. So how did they get exposed out and why did they come up with this idea in the first place? Stay tuned to find out.
Hailing from Detroit, Jack White was originally born John Gillis. As a teenager he attended a mostly ethnically mixed school. Hip hop was popular with the kids at the school he attended, but Jack didn’t count himself a fan, instead focusing on mastering the guitar as his influences included Led Zeppelin, Captain Beefheart, Pink Floyd, The Doors and countless old time blues musicians, Obviously he became the odd man out at school. And music wasn’t Jack’s first calling in life as he would reveal to Rolling Stone, that he initially had several ideas of what he wanted to do after graduating including entering the priesthood and possibly joining the marines
There was one moment though in White’s life that he can vividly remember that turned him onto the Blues. It would be a 1993 Radiohead Gig when he heard Son House’s John The Revelator played as the intro music, and it was something caught his attention. Eventually getting his hands on a copy of Son house’s House of the Father Of Folk Blues LP from 1965, the stripped down, yet effective sound caught Jack’s ear. He would reveal in the film ‘It Might Get loud’ with Jimmy Page and U2’s the Edge
“I didn’t know you could do that, just singing and clapping,” “It meant everything. I heard everything disappearing.”
“It was as if someone, with a single blow of the axe, had opened up the world to me… After that, my life received meaning.” Soon afterwards, Jack started to pick up other blues albums. And Apart from playing guitar, he also played drums and was into poetry. .He would also attend open mic nights at a local restaurant called Memphis Smoke, where he met future bandmate and wife Meg White who worked there as a waitress. The two hit it off immediately and began dating getting eventually married on September 21, 1996. John Gillis became Jack White taking Meg's last name.
Then on Bastille Day in 1997, everything changed. Meg White sat down and played drums for the first time on Jack’s kit. White would tell Rolling Stone in 2008
"When she started to play drums with me, just on a lark, it felt liberating and refreshing. There was something in it that opened me up" he'd remember.
Soon afterwards the pair formed a band and threw around a few names to call themselves including Bazooka and Soda Power. Thankfully, the band choose the White Stripes due ot the fact there last name was White and that Meg loved peppermints.After they formed the band, the two concocted a story of them being brother and sister, but why go through all this trouble of doing that. Well White would tell Rolling Stone in 2005 that the lie forced people to take them more seriously
"If we had presented ourselves in another fashion… how would we have been perceived, right off the bat? When you see a band that is two pieces, husband and wife, boyfriend and girlfriend, you think, 'Oh, I see…
"When they're brother and sister, you go: 'Oh, that's interesting.' You care more about the music, not the relationship." he'd say.
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